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                    <text>That’s All, Folks
The endless rolling of the credits
Outdoes suspense created by the film.
One waits with bated breath to see who edits,
Who is gaffer, grip; whose is the realm
Of post-production, who supplies
The crew with coffee, who provides the wigs
And who the contact lenses. No surprise
The biggest bold-face type is Mr. Big’s,
The Head Producer’s. Still, one sees
No indication of that offstage Best Boy
His trusty dope supplier. (O.J., please
Keep mum on Cato, your convenient guest boy;
There might be domino effect).
The credits grow obscurer toward The End:
A lot of acronyms. Only connect,
As has been said. Keep looking and append
Those letters to their proper guild.
ASCAP is music, BMI also.
Note that non-union stuntmen are not billed.
Check logos. Mountain, Lion, RKO.
A Matterhorn of second birth;
A senile feline overfed on lox;
The tall antenna on the turning Earth;
The searchlit letters of Art Deco Fox.

�</text>
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                <text>Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University.</text>
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                    <text>Mithras Outstripped
Mithras, God of the Sunset, low on the Western main-Thou descending immortal, immortal to rise again!
--Rudyard Kipling

Conceived to summarize and further mankind's last
And greatest ego trip, his conquering of time
By out-maneuvering the textbook speed of light,
The trans-Mithraic rocket Ne Plus Ultra owes
In some details to certain forebears: LZ-1,
The Concorde, Leonardo's models; not, as one
Might think, to Shuttle profiles or to model drones.
Exaggeration of a Viking hull is there;
Some hint of blow darts; all too zoomorphic prows
Of ornithopters. Space suits of the all-male crew
--Gestation has its own way of outwitting time,
And did not Mithras mandate vows of chastity?-Owe more to deep sea diving than to thinning air,
As having this variety of age and size
Among the crew has more to do with a distrust
Of relativity's effects than of our laws
Against discrimination. Who would mount a test
For Einstein's instant aging or returning youth
Must not for a control group send out middle age.
Parallel universe, Star Wars, Dimension X,
All voyages acquire at length their own mystique,
But keep to the tradition of a figurehead
Upon the bow and of a mascot down below.
For this so untried, overreaching argosy
That sensor the canary carried in the mine
Might be appropriate, and to commemorate
The first sure thrust, as figurehead a galley slave.

�</text>
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                <text>Mithras, god of the morning.wps</text>
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                <text>Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University.</text>
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                    <text>L'Alba Separa dalla Luce L'Ombra
New to the fixing bath of dead photographers,
A non-Sistine Last Judgment of the lens and tray,
Our somewhat over made-up Robert Mapplethorpe,
As iridescent as a fine daguerreotype,
Emerges and is hung upon God's drying line.
He finds himself, embarrassingly, face to face
With flaming Wilhelm, Baron Gloeden, Sicily's
Great German-Greek soft core porn king. whose pastorals
Of young Sicilians stark naked brought in yachts
And Classicists to Taormina. Dummy flutes,
Uneven tans, big feet, his models lack…what? Sheep,
As a beginning. More importantly, true sleaze,
Which certainly cannot be said of Mapplethorpe's,
And made them monuments, of function if not form.
It was the genius of Leni Riefenstahl
To wipe out even from the Japanese the hint
Of money changing hands, and from the Africans
Their look of indolence and poaching ivory.
Her divers do not advertise face creams; her nudes
Owe nothing to the Tsetse fly (except, perhaps,
That one who later did a turn as Tarzan; mute,
Even by standards for the Ape Man). Hung to dry
Or live and litigating, of these three the pick
Is clearly Riefenstahl, who had a better eye,
Had better haircuts on her models, and, although
The jury still is out, may well have done less harm.
Of her competitors the one did jackboots too;
The other prostituted teens and called it Greek.
If, like that pope who added breechclouts to the damned,
We ex post facto see a need to gird the loins
(And there is much in Hell that one must gird against)
Need we demur to airbrush Michelangelo?
What NEA leaves dangling, Jockey can support.

�</text>
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                    <text>Grimm, Grimmer, Grimmest
A onetime neighborhood chain cinema,
The pornographic movie complex has,
Its street front unremodeled, much the look
Of any witch’s house of gingerbread.
It might well be an Arts and Crafts tea room
In phoniest Victoria, B.C.
Since what goes on inside could pass for rites
Of aliens, a more appropriate
Design might be Frank Gehry’s oddities
Scaled down somewhat, or geodesic dome
With mirrors on its inner surfaces,
The better to entice voyeurs, and, curved,
Enlarge endowments; be a Fun House plus.
In sex what is desired is not ideals
But templates: figures to be laid upon,
Be possible to do, and capable
Of frequent repetition. Sandman next,
Dew Fairy after, in the chosen wood
One’s lost in, any fantasy will do,
And of our hungry actuality
The Fourteen Angels, sexless, cannot know.

�</text>
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        <name>Poems_for_Isobel</name>
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                    <text>East Bank, West Bank
The double line of life,
Cliff-paralleling green,
Accompanies the Nile,
As, flood on flood,
Dark loam puts down the years.
Exactly as if ink
On maps brushed-in its way,
Thin Egypt courses north.
At river level, cliff,
Cane, sky. No sight of sand
Low in between. Buff haze
At the horizon, grit
On cottons which we buy,
Insinuate alone
How near the desert is.
Some five millennia
Know how to fight it off:
Fruit in the mouth alive
And on the tongue at death
The quenching, everlasting myrrh.

�</text>
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                    <text>Burn, Baby. Burn.
Poor Little Match Girl, what to do,
Now heavy smokers have become so few?
Ex pack-a-dayers pass you by
With facial twitches and averted eye.
Are they as fearful of relapse
As onetime gamblers at the click of craps?
Or trim bulimics at a tray
Of pastries or a fashion ad display
Of Audrey Hepburn? Arsonists,
Salvation Army street percussionists,
The one perhaps your final hope,
The other, competition on the slope
Toward true panhandling and the laws
That ban it, but for pities common cause.
Strike, private sector poster child,
And let the smell of sulfur be reviled
As air pollution, and its glare
Seem not your vision of a warmth to share
But global warming light by light
Or stick by stick deforestation blight.
Hans Christian, if in time the Bic
Might have outsourced your Little Match Girl's shtick,
Fret not. As pauper have her claim
Her heating subsidy and fan the flame.

�</text>
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                    <text>Wrecking the Trekkies
More rapidly, somehow, than time-warp would account for,
The look of Star Trek ages. Is there not a fount for-Fountain of youth for--Captain Kirk in ski pajamas,
Or Bones in all that mousse? Wigs; TV dioramas
Depicting on the cheap the cosmic outer reaches
Where none has gone before? As retrograde as leeches
Are to health care are the settings now to science
The Enterprise? A bakelite household appliance.
Low tech solutions for the actors: add a gusset;
If there is hernia, in action scenes just truss it.
Nor do the plot lines hold up well. They shilly-shally.
Why can’t we have, they always say, peace in the valley.
An ethnic quota system seems to haunt the casting.
The 60s in pursuit of Feelgood everlasting.
One China, Scotland, Ex-USSR, Sri Lanka…
How did that Flight Deck function? Had it lingua franca?
And down below decks have we what? Matsu and Quemoy?
(It is the 60s, mind). Not even Leonard Nimoy
In Spock’s neat syllogisms could on Earth keep up with
Tribes and Mandates. Who’s a diplomat to sup with?
Alas, Star Ship, your good intentions did not do it,
And “Beam us up” from wrack must rescue. Look you to it.

�</text>
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                    <text>Worlds and Underworlds
Eden was a garden ; Heaven is a city.
Hell… We are not told, and more the pity.
Dante was entirely on his own.
A frozen lake? The fire is lately gone?
Or is it? Global warming is as much a threat,
Greenpeace informs us, as a new onset
Of glaciation, or the seas’ receding,
Rising. Which, depends upon your reading.
Seven Circles, Seven Seas, Inferno sounded,
Science rhymed, the issue is confounded
By the felt dictate that punishment
Should fit the crime, and since the force, extent
Of crime is boundless, Hell, if it’s a cave, must span
A poet’s caverns measureless to man;
And if a city like its rival, be well gated;
Have its guards at one-way gates twice guarded.
Escape is any bribe or any proposition.
Guards below have no more inhibition
Than our own, or would not be in Hell.
Far better here than bound upon the Wheel
Revolving toward Nirvana. Is it really worth it,
All that incarnation? To rebirth it
Painfully until we free the soul,
Each death, meanwhile, no more than brief parole?

�</text>
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                    <text>Worlds and Underworlds
Eden was a garden; Heaven is a city.
Hell… We are not told, and more the pity.
Dante was entirely on his own.
A frozen lake? The fire is lately gone?
Or is it? Global warming is as much a threat,
Greenpeace informs us, as a new onset
Of glaciation, or the sea’s receding,
Rising. Which, depends upon your reading.
Seven Circles, Seven Seas, Inferno sounded,
Sin prioritized. We are confounded
By the felt dictate that punishment
Should fit the crime, and since the force, extent
Of crime is boundless, Hell, if it’s a cave, must span
A poet’s caverns measureless to man;
And if a city like its rival, be well gated;
Have its guards at one-way gates twice guarded.
Escape is any bribe or any proposition.
Guards below have no more inhibition
Than our own, or would not be in Hell.
Far better here than bound upon the Wheel
Revolving toward Nirvana. Is it really worth it,
All that incarnation? To rebirth it
Painfully until we free the soul,
Each death, meanwhile, no more than brief parole?

�</text>
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                    <text>Wish List
Mohandas Gandhi's glasses, Judy Garland's slippers.
What objet would one bid for that was Jack the Ripper's?
Better not to know. What is it I should like to buy?
Stuyvesant's peg leg, Potemkin's own glass eye.
The Hindenburg's aluminum baby grand Steinway;
Along with gaucho bolos from Down Argentine Way,
Carmen Miranda's plantain headdress, true bananas
Being rather small to make the full effect. Bandanas
Worn by Patty Hearst as "Tanya," Swagger stick
Of General Montgomery, Rasputin's prick.
A scalp from some demented Navajo or Cree nut,
A shell from Carver's first genetic altered peanut.
The Bourbon crown's lost diamond marquise,
Ted's Chappaquidick Cadillac and lost car keys.
The tattooed lampshades? No. A lamp electrified
From one of Florence Nightingale's? Saints' blood dried?
Association value, guilt by association,
Is there a line between? Not with assassination.

�</text>
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            <description>Date on which the resource was changed.</description>
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                <text>2009-03-07T18:51:43</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University.</text>
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                <text>Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt].</text>
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            <name>Format</name>
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                <text>application/pdf</text>
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            <description>The nature or genre of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>993b25b830b72749b037e263872e6a86</text>
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