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                    <text>Rites of Vikings
Because of iron in the cargoes and in the rocks on shore,
Compasses in the ore boats were undependable.
Duluth, Missabe, and Northern R.R.

Enormous trestles to the ore docks have a look
Of some arrangement made to onload Noah’s Ark;
Evacuate the planet onto spacecraft. SCurve ramps, an easy grade to nowhere, in the lake
Of Hiawatha they are shape of things to come.
Itself magnetic north, itself its funeral,
Some lodestone boat moves out to locks and fire: St. Lawrence,
Open sea. Smokestack America is one
With Tyre and Nineveh and with the small wigwam
Beside the shining Big-Sea Water. If you say
To mountains “Be ye moved,” yes, they will come to you,
If they are iron and you are Rockefeller. For
Mohammed it’s a different scenario:
Ships of the desert in a portage of the self.
And, as is known to any schoolchild, Arab dhows
Sailed into Hudson Bay and left Islamic runes
Upon a Minnesota Kaaba. Ark, kayak,
Or rescue rocket loading by the high steel truss,
Whomever they must leave behind, even as we,
Partake of Vinland. If the myth is, it was good,
Then why was it abandoned? Let our rune stone say,
But let the tale be flattering. Omit Japan.

�</text>
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                    <text>Revisions of the Tribunal
Juan, Eva, Isobel were not put under lock.
Are we too hard on Slobodan and Papa Doc?
The least oppressive goon squad's may have been the Shah's.
No viceroy was assassinated. Gandhi was.

�</text>
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                    <text>Retro Rondo
For early starters,
Destroy snail darters.
Thence to fowls:
Kill spotted owls.
Wetlands are sumps.
Bring on the pumps.
Strip-mine the hills
To pay the bills
Of solar heat.
Eat lots of meat.
Drink from the tap.
Spring water's crap.
Remove the arms
From windmill farms.
Use plastic bags.
Smoke Turkish fags.
Drive only vans.
Eat fats, but trans.
Build logging roads.
Ban episodes
Of Roots (re-runs).
Protect handguns.
Have Jackie O.
Fight Wade &amp; Roe.
Where Rome must fail
Greece may prevail.

�</text>
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                    <text>Report of the Monuments Commission
If Freedom has, or is, a goddess, should
Not Slavery have? Captivity als Weib.
As deity, no whips and chains; too much
Indicative of rare perversities,
And Slavery, over time, has been the norm.
Let her equipment be, like Justice's,
A balance. For the prisoner of war
Death on the battlefield or servitude;
For youth, rebellion or conformity;
For age, the poorhouse or the family
(And which is Purgatory, which is Hell?)
For women without dower, take the veil
Or walk the street; for women with, endow
A nunnery and hope to wed for love
Or find no lover's not a gigolo;
For cotton pickers seasons in the sun
Or codfish, God, and Boston consonants.
Put up in Washington along the Mall
An image of the Captivessa, borne
High on a ship of marble. Never ask,
Divinity, by whom your ship is rowed.
There's brooding Lincoln at the Mall's far end,
Brooding no doubt on how to keep in line
His border slave states. Let the goddess have,
For escort, gunboats, camels, you and me,
Sheikhs, maharajahs, and a Krupp or two.
Krupp workers' choice was, after sabotage,
A game of shower head roulette. And, too,
The Lowell mill girls, who could be "improved"
Or have a little fun, as Southerners
Were quick to see, and, not to spare the Jews,
Triangle Shirtwaist workers, unimproved.
Our prisoners political spill out
Their cell blocks, but could give up practicing
Marcuse, who lived himself in bourgeois ease.
For statuary goddesses there need must be
Consorts, and since we have become of late.
Unwilling to distinguish Jefferson
From Belgian Leopold, let's add on both.
Upon the Mall the marches come and go,
Our sad charade. And from the great white dome
Freedom looks on, always de haut en bas.

�</text>
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                    <text>Religion for Robinson Crusoe
Superheroes have their minions:
Native servants, boy companions.
Would exchanging of those backups
Create crushing mental crackups?
Batman crumble lacking Robin?
Kemo Sabe blow his top in
Absence of his batman Tonto?
Saddle sores arriving pronto,
Robin, riding with the Ranger,
Know a salt lick from a manger?
Tonto, apprentice at Wayne Manor,
Make the grade as new retainer?
From each other disencumbered,
Would Lolita, Humbert Humbert
Have their fame? Alone, Man Friday
Cloy, like Shirley Temple’s Heidi?
Adam be than Onan stronger
Were his rib cage one rib longer?
Man may be at base a dyad.
God, however, is a triad.

�</text>
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                    <text>Reciprocal Membership Card
Among the local hale and easygoing
I and you were other. I was…knowing;
You were straight, good-looking, and ambitious.
Being knowing now is being vicious:
It has come to me my looks would muster;
And straight? That's as the world defines it, Buster.
Double-going no doubt keeps one healthy.
You are. I? I'm rich, if short of filthy.
Have you, too, ambitions out of escrow?
That's a one detail I dare not ask you.
You would not ask me, I hope, if "knowledge"
Makes for happiness. How could it? Village
Makes for idiot, and any ghetto's
Much too small a world, although it shadows
In its way the life it turns its back on:
That zealotry that snipes and lays its flack on.
Still, irrelevance can be corrective,
As conformity can be attractive.
Voting rights for stock are with the common,
Not with the preferred, although when Mammon
Topples the preferred is paid off sooner,
Which is why I as a lifelong loner
Do not envy you your shares and proxies.
Come; admit that I too pay my taxes;
I could join the club; pay dues for members.
Has that locker room life in its embers?
Those who brag of balls quite often lack balls.
One who knows too much does not get blackballs.
Will you see me at some late Philippi?
No; in the Grill Room, over drinks and ribeye.
.

�</text>
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                    <text>Rebuilding
A city with an altered skyline finds itself
Much less itself: an alphabet with verticals
Left out and low rise vowels keening endlessly.
As if expert professionals had brought it down,
In July, 1902, in Un-Venetian tact,
The Campanile fell exactly on its base,
Frightening pigeons and the travel agencies,
But killing no one. Futurism, Beaux-Arts pomp,
The Art Nouveau are at their height. There is some thought
Replacement ought not replicate the Renaissance.
Designs come forth that can have only been conceived
As a revenge on Canaletto. One might live
With Trajan’s Column opposite San Marco, or,
If need be, lighthouse, but a Cairo minaret?
“Reconstitute the devil that you know” is code
As sound, as plausible for city planning boards
As for the least imaginative Satanist.
Ask not for whom a Campanile is put up.
It’s put up as a framing structure for the bells,
On principles that ought to be acoustical ,
But seldom are. If simply filling out the scene
Serves, what was there before will firmly close the wound.
But in the echo of the confidence that fell
The bell is tolling for the island no man is
That every man fragments by his self-centeredness.

�</text>
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                    <text>Rebuilding New Orleans
A pity Albert Speer is not available.
His Berlin Congress Hall could easily replace
The Superdome, his miles of concrete colonnades
Disguise and reinforce the levee battlements.
There is no reason that his Nuremburg Sports Field
Could not be replicated for the Sugar Bowl,
Flat arches bridge the Pontchartrainsee. Let Ward Nine,
For contrast, crowd in "worker housing" from the 20s,
And if workers will not live there, gentrify.
Abandon local color altogether. Have,
For yellow star, bandanas and the tell-tale lip
Of trumpet players. Praline mammies, jazz has-beens,
Belong, if anywhere in brave new worlds, in camps
Off-site behind barbed wire. The leper colony
Can be reactivated. Crematoria
Mean that above ground burial can be phased out;
A human quicksand, ossuary Dutch Boy dike,
Ash of the disadvantaged, hosed, re-silt the coast;
In coffee, lacking chicory, ersatz, but what?
Ground acorn, as in World War II, or powdered mummy?

�</text>
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                    <text>Rages of Paris
Never a working windmill; from the first
A going music-hall, the Moulin Rouge
Has been, like mushroom clouds and like old clowns,
An instantaneous cliché. Cartoons
Could put the arms and sails on Sacre Coeur
And have a sure fire postcard. Clown make-up
Is to a smile as glycerin to tears;
The café-concert repertory creaks,
Though for the can-can there is much to say.
My only problem with Hiroshima
Is how to scan it. Watch it reappear
As Hiroshima. Images catch on
Or they do not. Toulouse-Lautrec the dwarf
Instead of Sarah Bernhardt in L'Aiglon,
Fully the painter's equal as grotesque;
Maxim's and not the 5 star Tour d'Argent;
The Hunchback, not equestrienne St. Joan;
The useless kiosk, with posters flaking off,
The window washers' Hell, the Pompidou,
Already cult icon, the street pissoir.

�</text>
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                    <text>Gathering Trophies
Mardi Gras beads and mistletoe:
The lingering mystique of each
Depends on more than simple reach.
It is essential that one know
If it was some athletic leap
That won this necklace that we've got,
Or lover's expert rifle shot
That felled these drying sprigs we keep.
Of course, exposing body parts
To crowds on balconies around
Is also as a method sound,
And flashing one of minor arts.

�</text>
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            <description>The nature or genre of the resource</description>
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