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                    <text>Patience
He always butters toast out to the very edges;
Every i he dots; every bet he hedges.
His checkbook always balances; he never skips
In reading Russian novels; never rounds off tips;
Remembers seven-digit postal codes; shuts doors;
Aligns coat hangers. He's the Henry James of bores:
Top of the line.
Salt of the earth, if in the sense
Of Lot's Wife. Rigid, backward looking. His defense
Is, his kind make the world go round. But marry, Maid,
This paragon and presently you will be swayed
By nagging thoughts of "Stop the music. I want off."
Affair? Why not? Though ashes and a smoker's cough
Make one appreciate pushups and bathroom scales,
As lover's vows become as dull as twice-told tales.
And surely there must be a special place in Hell
For men who cannot park a Camry parallel.
Monotony, monogamy. Near homonyms.
Not every Griselda is the Brothers Grimm's.

�</text>
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                    <text>Protocol for Ethanol
Without petroleum to burn
Will slave society return?
Of course, we would not call it that.
"Guaranteed Green Habitat,"
Or "Lifetime Job Security."
Implants in perpetuity,
A GPS for cotton fields,
A Dred Scott Case of higher yields
(Returns) from bleeping microchips
Than bloodhounds. And of future trips
By ice, despair, Eliza. Floes
Dissolve as global warming grows,
And as the Northwest Passage clears
The hovercraft as slave ship nears,
Abducting to dig bogs of peat
Our former technical elite.
Emancipation will be corn,
Or maybe cloning. Abe reborn.

�</text>
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                    <text>Propositions
Experiment cannot distinguish brain
From mind, suggesting no distinction is.
It has at hand, however, two good ways
To check the out-of-body state: the blade,
The tantrum. Devil's Island doctors, bored
"Out of their minds," said to their prisoners
Who faced the guillotine "If as a head
You still retain awareness, blink three times."
The count of those who did, statistically,
Does not exceed a knee-jerk in the lids,
But makes one think. The German, in his rage,
Is "ausser sich." I as a severed head
Would say, if only by my coded glances,
"After me will come none great as I,"
But I am vain. And two-part prisoners?
What happens at a hanging we all know.
Is what le docteur sees a blink, or wink?

�</text>
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                    <text>Production Values
What is it we accept as real?
The gaslight decades found no fault
In canvas flats or painted waves;
The 1930s did not cringe
At back projections as the world
In which screen heroes moved. For now,
Computer imaging persuades.
Tomorrow its spaced dots may seem
Virtual unreality,
Or living actors virtual.
There is a test. The actual
Shows up the act for what it is:
Impersonation. Oedipus
No actor not a lunatic
Would take on in Vienna. Couch
One-ups the built-up boot, the throne,
As Ptolemaic marriage
Makes blinding oneself seem de trop.
No actress into middle age
Enjoys a scene with ingénues.
One cannot pass for young if youth
Itself is present., any more
Than a Kabuki heroine
Would be mistaken on the street
For woman. Did castrati
Sing convincing lullabies? The Globe’s
Pubescent Rosalinds prolong
Careers by trained falsetto? Or,
At so to say the first crack out,
Give up? If blackface power passed
For true Black Power, minstrel shows
Might still be on the boards. Ahead,
If they join Actors Equity,
One must decide if clones have less,
Or have the same seniority
As those who gave the DNA.
Eternal understudies they,
Reality denies them role.
But Jekyll knows that Hyde is there,
And Hyde knows it is not make-up
By which in him we see ourselves.
.

�</text>
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                    <text>Procession of the Seasons
Spectators camping out competed for space with the homeless…
Theme of the Parade was fairy tales. First-prize float depicted
A Russian legend, “The Golden Cockerel.”
--U.S.A Today

The avenue of golden gingkos bares itself in hours
And on the pavement leaves its rip-off of the golden hoard;
As if a massive rain of thumbnails followed after showers
Or wind and left its imprint. Wreck of a wind chime, silent chord
And a percussion visible, the crescent litter mutes:
Our footfall, brass, a later rain. On streets none of them Wall
Gold falls, to be itself a ticker tape of gilded scoops;
A Pasadena of a yellow, still processional.
The sky above, the indestructible October blue,
Must also topple, from its stint as Jacaranda bloom.
October’s color half a year away, the trees undo
High heaven and the course of time. The sky is falling, Scum;
Get off the sidewalk. You who have no home, am I Coq d’or
Whose co-co-co-ri-co above the gratings where you sleep
Is call to arms, or Chantecler complacent? Metaphor
For non-change and for change, I cry the Jacaranda’s deep
Sky threatening the pallid blue of noon and its defeat
By gravity. Up! Do, achieve, accomplish. Heaven’s down;
Here are your marching orders. Heave your carcass off the street
And kick aside the wreck of azure and the shattered crown
Whose gold leaf blinds you. Seasons are these times ablaze. Do what
You have to. Step, and unavoidably you step on rot,

�</text>
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                    <text>Priorities in the Sports Bar
The dice-cups rattle on the bar.
Or did. They were what laptops are:
Distraction from distraction, drink,
In spite of what beginners think,
Not in itself enough to be
Effective proof against ennui.
What snap diversion may be next?
A Braille porn for the undersexed;
Virtual meth on Sony screens;
Arm-wrestling by robotic means?
It's all a public solitaire,
A loner's pride, the bore's despair.
Little Brown Jug, how I love thee,
But, Bookie, place this bet for me.

�</text>
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                    <text>Precautions of the Undertaker
A bit excessive in its every feature,
Overlong, a silver time-of-year,
The Easter lily may belong to nature
Less than to Der Rosenkavalier.
But resurrection too is artificial,
Or at least in nature has no part.
Not as the symbol of a last reversal
But for scent so strong it will assert,
The strident calyx shares the open coffin.
Decades of the growing competence
Of the embalmer have not put back life in
Thoughts of Lent, or heavy floral scents,
Although their lily blooms again at Easter.
Think of it as of the silver rose:
The fragrance is a cover; is an ester
Whose whole truth none but the bearer knows.

�</text>
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                    <text>PR at Tuskegee
Aware of it? Of course he was.
How could he not have been, as small
A world as any campus is,
The sciences especially.
Could he have blown the whistle? Yes,
And put his own research at risk.
It would have been peanuts indeed
Without grant money. He was raised
By Whites, you know. Live-in or such.
A Hoosier missionary pair.
At least they educated him.
Too well, perhaps. He may have learned
Their missionary prudery.
“It” would have seemed for him payback-Sin paying out its wages still.
And, after all, the men were fed.
The mess of pottage may apply.
That being what the doctors thought,
One gathers. If they thought at all.
Even their phrase was not thought up.
“Bad blood” is how the Blacks themselves
Describe it. Let us both be frank:
All medicine is in a sense
Experiment on human subjects.
Do we Calvinists equate
The sins Omission and the sins
Commission? If we do not act
Our sins Omit will take the day,
They being easier. Somewhere
Between the silver and the salver
We scrub up. First do no harm?
Improving peanuts does no harm.

�</text>
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                    <text>Porfirio Diaz
Not Augustus quite, I found the Capital
A city not of marble and I left it that.
My heritage was to exacerbate the first
True Marxist revolution. Had construction been
My folly I'd have favored not Viceregal Spain
But Paris of the two world's fairs: the iron-and-glass,
The lobster-back roof profiles, the copper domes
Said to modeled on the breasts of courtesans.
Well, better Mata Hari than Coburg Charlotte
Or the Malinche of Cortez. As muralists
By definition work in two dimensions, breasts
Are more or less beyond them, as, for me, a depth
To deal with peons, and my own suspicion was,
It is not barrios where insurrection breeds,
It's boulevards, where envy is on promenade.
If you would have my corpse returned to Mexico
From its neat French suburbia, design for me
A catafalque that would embarrass Charles Garnier,
And place it on the stairs of my Palacio
De Bellas Artes--one project I did complete-Below Siqueieros' busty Day of Liberty
As a reminder art and liberty deceive.

�</text>
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                    <text>Polly Wants a Cracker
However many sacred birds
Have spread across mythology
Great wings oracular, not one,
It would appear, has been a parrot.
Revelation, if it comes
Comes only through interpreters.
Is our own speech, its cry of want
Unleavened, at once too contained
And too predictable, too flat
For priesthoods to elaborate?
Reading the droppings in a cage
Is more the vatic way. But why,
In spite of these allowances,
Did not that savage who first heard
His very words come back at him
Raise up the bird as god? Hurt? Spite?
Or the perception from the first
That parroting is simply that,
And speech as speech does not reveal.
The wafer of divinity,
Pauline, will not be yours. In flight
Or in the cage, among the skull,
Wreck, bones--a grim familiar, you;
Echo of Long John Silver, or his cue?-For all your gift of piracy,
No tongue you learn can ease the want.

�</text>
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