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                    <text>Endemic in a proletariat,
That if one makes it to the ballroom late
Then one by definition cannot be
An ugly sister. It will not explain
That haste in which a hearth went monarchist.
Out-of-the-ashes, though, may be the one
Most European thing. And fitly there,
Two-headed phoenixes too fake to blaze,
The inaccessible imperial
Emblems, too high to chip away, look down
Without comment and without remorse.
On any given evening, at least four
State companies will be performing, say,
The Count of Luxemburg--the first great work
Of social realism?--While it lasts
Who hear it are in fact a polity;
That is, are more alike than different.
At intermission, hallmarks vanish. Sekt
In hand and democratic sausages
Cascading off our plates, we bring to Pop
Baroque a kind of living tractor art,
Ourselves the peanut vendors of our tiers,
A newsreel colorized by CNN.
Recatalog us under Empire, World,
And make cross references from local names.
Conquest is partial or is absolute.
Happily, at the time, no one knows which.

�</text>
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                    <text>Patrol II
Existing only in the comic strip
Tim Tyler's Luck, the Ivory Patrol,
For 1930s pre-teen readership,
Was not a fantasy but future role.
Trap shoots, stiff upper lip, White Highlands rich,
Unthinkable outside of Empire Kitsch,
It was a proto-eco guilt trip, well
Before the count of tuskers sharply fell.
(That other savior of a losing cause
The Peace Corps did not need a teen cartoon,
Being itself one: Do-Good grasping straws.)
Homoerotic until none too soon
Tim meets the Rain Queen, an effective end
To buddy systems, and good luck or bad
As you prefer. Appeal pith helmets had
The Peace Corps trades on still as jeans impend.

�</text>
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                    <text>Retiring the Carpathia

An early sign of Earth out of control:
The ending of the North Atlantic Ice Patrol,
Icebergs no longer threatening the shipping lanes,
As global warming registers its gains,
In leftist minds at least. Will latter day
Titanics end in quarantine as North Sea prey
To tropic fevers? Sunscreen be a standard pack
On lifeboats? Auctioned off for their clear lack
Of further usefulness, icebreakers cruise
Ex-polar seas to run aground and find a use
As coral reefs, or as the hula-hula swirls
Take captive Inuit to dive for pearls?
It does not take Magnetic Pole up-end
To change the notions on which North and South depend.
'Reorient' has never actually referred
To West becoming East. We have no word,
No phrase, for how the trendy trumps reality.
Well, yes; we do. The phrase is herd mentality.

�</text>
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                    <text>The Passion of 1934
The decade turns at Oberammergau;
It brings the Passion Year. If who perform
Are largely Party members, who attend
Show no concern. Those who have seen before
Might notice this year more self-confidence
Among the soldiery, Iscariot
More focused on the specie rate; or see
In Caiaphas the make-up man's construct
Of Marx and Engels. Pilate seems this time
Not bureaucrat so much as diplomat;
Like Herod, deferentially subdued.
Almost by definition, one could say,
The mob is neither less itself nor more.
And little altered too, the Christus. Twice
Appearing in the role before, the Man
Of Sorrows adds morosely to the rest.
His fifty years. Behind the pale blue eyes,
However, nothing is that was not there
Offstage. They are a sort of program note,
Unsatisfactory, as precis are.
Spectators must themselves extrapolate
How far the Via Dolorosa goes
And what will be its end. They have as group
Some knowledge, insufficient, probably,
To show them how the Stations, one by one,
Confirm the irreversible. Someone,
A conscript--Simon the Cyrenian-At any moment will appear, take up
The burden, change the ending. will he not?
It cannot finish as it always has.
Except it will: Barrabas freed, two parts
Of theft and one of threatening the state.
Remember that the votive Play began
As gratitude for being spared the Plague.
Its repetition was to make secure
From pestilence the future. Up to now
That absit omen holds, although the blind,
The devil-ridden in the cast
Exist to tell us there are plagues and plagues,
Betrayal ever bolder in the text,
One kiss we have no understudy for.
Thomas will doubt, though never quite enough;
Peter continue to deny, in Rome,
and later, in the dock at Nuremburg.

�</text>
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                    <text>Parfait
The candy store is called "Echo of Sweets."
It is across the corner from a bank
I shall inherit handsome portions of.
I have, for now, no way of knowing this.
An even forty years, and gluts of death,
In just the proper order, need occur.
My expectations, as, seditionist
In Central High's cadet corps uniform,
I storm the soda fountain, are not great.
My modest hope is that I can afford
An orthodontia which the Echo mocks,
As time mocks now the vain dictates of pride.
As I mock now dictatorship and you.
Cadet Commander on your distant stool,
Who, for your training, pass the goodies by,
Trade all for the enamel in your smile
(Advisedly; it is your power base)
It is an unjust universe we serve.
At fifty-seven I have flawless teeth,
And I am rich. On hot seditious days
Some sweets still echo, but the sound is muted.
Money's sound is clear. Have you computed?

�</text>
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                    <text>Palaeontology
The archaeopteryx may be a forgery,
A wash of feathers on a fossil dinosaur.
No hint of flying; some hint of gliding What if Man,
Peking Man, Java Man, were forgery? Would then
Ourselves, as concept, fly? Or be the Icarus
Of anthropologists, a final Piltdown Man,
Or meltdown man, a goal of Fundamentalists.
Creationism can at least create from scratch.
Upon the bones of scrawny Lucy rests the Eve
Whom science blames as current mother of us all.
Neanderthal clay figurines, bodies obese
And coiffure Harpo Marx, would seem to contradict
A thin ancestress, or confirm what we all know,
That fashions change. Meanwhile, between the overweight
And underweight, the fossil record can be filled
With any missing form the scientists conceive,
As arbitrary as the Bible Belt‘s first man,
Regarding whose brain size or stooped or upright gait
We do not have to argue. Homo sapiens
Creates a chain of being out of filler blanks,
Or forges Adam as his own original.

�</text>
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                    <text>Painting
It is by definition two-dimensional.
Exaggerating the default, perspective paints
Receding vistas, parallels that always meet.
Photography removes the one necessity,
A need for likeness. No abstraction abstracts self,
And if the ego is the final patronage,
The only sitter, landscape is a background noise,
Still life an inventory of accoutrements.
Denying face and form, Islam, of pure design,
Creates a pure depiction, iconography
Of thought itself, a showing of the hyperreal.
Continue, little portraitist of little souls,
Your art that darkens as it flatters; does not know
It mocks. Acrylic, water color, easel, fee.
A mural is a wall that might have been let be..
Your canvas is a cosmos void and without form.
Begin by severing the darkness from the light.
Thereafter it could well be six or seven days
Before commissions come. The water and the land,
The fishes, fowl of their abundance, early Adam,
Fill the plane with color. But the void is Eve.

�</text>
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                    <text>The P.O. in the Castro
You will not have to stand in queues;
There will not be a madding crowd.
Our homefolk need not wait for news.
We send no letters. We are proud
We cast them off by coming here.
Our cell phone calls are largely local;
Their billing, though, is no small beer,
For we are nothing if not vocal.
It’s well behind, that life of porn
In plain manila envelopes.
And one out here can be reborn
As porn himself. A while, one hopes.
Not everything, of course, works out.
Hustlers in time seem merely tramps;
A small town’s walls still close about:
No exit. But we save on stamps.

�</text>
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                    <text>OPPOSING COLONIZATIONS
Pasa thalassa thalassa

The continent has narrowed here toward Panama,
And where it narrows, rises. There are certain peaks
From which the oceans both are visible.
The Greeks once more are proven fallible: the sea
Is not, here, everywhere the sea. The one is blue;
The one is green; the nearer has the higher tides.
The White God vowing to return, if he could see
From this our eminence, might scorn the galleon,
Its raped Atlantic, and adopt the balsa raft:
A second coming out of Polynesia, trade
And not rapine the motive; or, more altered still,
Return as fire; from this volcano smite the land
In one blow, over time to make its soil more rich,
Or create diamonds in recompense for gold-Geology as conscience money, sacrifice
Rewarded, if hereafter. On the heart cut out
There is not statutory limit; and, as haze
Turns gray the green Atlantic, and as cloud
Hides the Pacific altogether, what is clear
Is how the crater and the sulfur, if not Hell,
Are models of it, as are temples. as are mines.

�</text>
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                    <text>Oppie in the Heartland
End of the World, for Pentecostal outreach groups
In 1930s farm states, so preoccupies
Revivals that not much is heard of cards, strong drink,
And missionaries. Not that, ordinarily,
The End is spelled out in detail. The Last Trump sounds;
Imagination does the rest, and memories
Of illustrations from the Dore Bible. Meant
As an apotheosis, Come-To-Jesus seems
Almost a comedown. But with 1945
And the atomic bomb, and possibility
The world in fact may end, the tent revivalists
Fall strangely quiet. Some, the more sophisticated,
Take on godless communism; most fall back
To battling Darwin. Missionaries may have lost
Cachet, along with China, and as a destroyer
Of worlds J. Robert Oppenheimer, stringy build
And hair out of control, have less the look of Shiva
Than of, say, Hank Williams Sr.--and be fit
Reminder that the worlds of gambling and of drink
Go on--yet change and incongruity cannot
Prevent re-labeling as "Rapture" what was once
The Day of Judgment, or to anti-Darwin minds
Point out that Fundamentalism too evolves.

�</text>
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