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                    <text>Reactions
Doubting the motives of his visitors,
The one good man in Sodom bars his doors.
Dwellers in sand who mocked at Noah's Ark
Contend now with the life forms that embark.
Not everyone who hears "Beware the Ides"
Ignores it. Many a John Doe runs and hides.
Celestials confronted with the hordes
Of Mongols trust to walls instead of swords.
Challenge, response. The Chinese peasants' work
Might well have dammed the Fertile Crescent, Ark
Been Trojan Horse of some great Gobi khan.
Los Alamos replaces Cio-Cio-San
If one thinks ' Nagasaki'. In a pang
Of conscience for his second biggest bang
Quoting the Gitas--arrogance or pity?-Oppenheimer's challenge still is Kitty.

�</text>
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                    <text>My Hand Is of Average Size,
and at Twenty Was Not Gelid

A garret of the zoning laws, high Latin
Quarter, but not even in the French:
New Orleans off State Street, near Tulane,
And refuge, of a sort, from Carnival.
It is at once apparent business,
Not stage tuberculosis, will take off
All residents. Textbooks on Management
Wall-off in thirds a bare top-lighted room.
For a beginning you have managed things
To an extent your roommates both are out.
If anyone is artist here, I am.
Our practicum takes over. Skylight, view,
Or role games are not settings I require-My clear perversion, since behind your breath
I hear a checklist going in your head.
In mine, if you would listen, would you hear
Far-off stock tickers, or a metronome?
Another year or two, or thirty-odd,
And I shall have whatever tic I need;
Have gone down any want list of my own.
You, meanwhile, would do better to act out
Such tableaux as your ambience suggests.
If in my fifties, still a venture poet,
I'm sedate and prosperous, how dull
Must you be. Go on back to Momus, Jack.

�</text>
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                    <text>Music
Said Wagner, "Only music has the power
To represent the Ding an sich. Not that
It represents the word; it and the word
Each represent some third thing, and the word
Is necessarily less accurate,
As it belongs to some one tongue." So much
For the mot juste and musics of the Folk
(Excluding Nuremburg, we must assume).
But Wagner makes his case, by not himself
Assigning his thematic notions names.
It is his commentators who have shown
The narrowness of language. This or that
Horn call is always more than lip and breath,
As it is more than treasure or than sword.
It's not just horsehair that we hear on strings;
It is the potion and the passion, not
Distinguished from each other in their end;
And Freia's apples are the gods grown old,
And one's own youth, sold off for what one built.

�</text>
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                    <text>Models
St. Petersburg, etc.
St. Isaac’s in a photograph looks less
An Orthodox cathedral than a source
For most American state capitols:
The dome set on a colonnaded drum,
A pedimented portico. In fact,
Four pedimented porticos--East, North,
West, South--and columns not Carrara white
But opulent red granite. Not a touch
Taxpayers in the U.S. would approve,
Nor could they be consistently at ease
In presence of the giant church itself
And not the photo. Siege and weathering,
Neglect and riots, as the heavy mist
Condenses on the Neva and is space;
Is background, foreground (if you like, space-time)
Distort Democracy’s platonic form,
As if in Little Rock a late unrest
Had left its craters in the Statehouse steps,
Or insurrection pitted Charles McKim’s
Rhode Island masterpiece. As in a sleep
Of Reason monstrously go by the wrecks:
New Hampshire gutted; Texas looking like
The Reichstag at the end of World War II;
Wisconsin razed for landfills in its lake;
Utah a vacant Zion on its hill.
If Baton Rouge and Lincoln skyscrape still,
Nebraska Deco, Long Regime and Speer,
Is it because Democracy has shrunk?
A legislature unicameral;
One man, one vote, and that the governor’s?
Or is it that dictatorship rehearsed
Outlasts its fall and is alternative?

�</text>
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                    <text>The Mixed Blessing
The arsonist blowtorches the insured for hire;
A pyromaniac out of the love of fire.
.
Prometheus would not blame either; might instead,
A Pilate using flame to cleanse his hands, have said
"What any threatens with the brilliance and the burn
I stole from Heaven was not ever my concern."
Silver salver or a lighted chafing dish
(As in the Roman catacombs the Cross-- and Fish-Insisted "Judge not that ye be not judged) might state
In firehouse kitchens "Yours not to adjudicate
But to extinguish." Vulture tearing at my side,
Phoenix arising in the ash of greed and pride,
Which of you represents the doubtful gift I brought:
The God's own knowledge that can never be untaught.

�</text>
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                    <text>Meteorology
Have I Hitler's weather?
Brilliant sun on streets
Where all the year it either
Rains or snows or sleets.
Outdoor diplomacy,
Parades, Pursuit fly-bys,
The Fuhrer famously
Could count on bright blue skies.
I, in Vancouver--worse,
Seattle--have had too
My sunny days. Is verse
The taut goose step I do
That earns them? My discreet,
Cut, Triumph of the Will,
However incomplete,
Enough for good days still?

�</text>
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                    <text>Mers-el-Kebir
July, 1940
Negotiation fails. It often does.
And from Gibraltar, ally, enemy,
The British sail. The French Fleet at Oran
Must not be handed into German hands.
This is not Salamis, and certainly
Not Jutland. Any fool can see who won,
France being belly up inside the mole
And thirteen hundred of her seamen dead.
Pearl Harbor’s bodies hardly bettered that,
Suggesting enemies are not more threat
Than treachery by friends. Algeria
In independence has presumably
No interest in either flag; the ships,
Victorious or capsized, have long since
Gone under the acetylene for scrap.
Darlan, DeGaulle, and Churchill, if not one
With Nineveh and Tyre, are not entire
In reputation. Said to turn its back
Upon the sea, Oran has reason to.
It’s the Iscariot of navies, shunned.
The giant naval base is still in use
(So too is Singapore’s) a too large home
For too small Coast Guard cutters. Marx, Islam,
Shell, Eurodollars battle now, to leave
An abstract oil slick. NATO frets
As Moors outflank it; readers of Camus
Misunderstand and mislocate his plague;
To the distress of the Prudential Rock,
Gibraltar plans to put casinos up.

�</text>
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                    <text>Beefsteak Tartare
Do not so add peripheral
Ingredients the taste of blood
Is covered: rawness here is all-A little of the kill, to spread.
The peppers in two colors, salt,
Ice, garlic salt hold back the wild
And let it through. Stuck at half-halt
En route from branch and veldt,
Omnivorous and to a fault,
The black-tie carnivore is filled.

Tongue in Madeira Sauce
The wine so quick to loosen human tongues
Will flavor other, and will tenderize,
A claim no vintage makes for table talk,
In which a knife may be the duller edge.
The ass of Balaam spoke, nor was the last;
If men and angels speak, why does not beef?
If from this plate the honest entrée spoke
Would not it say “Go to the entrail, Fool,
If you would read. No wisdom taints a tongue.”

Marrow Bones on Toast
Whoever first devised a marrow fork
Had in him something of an exquisite:
A Nineties decadent; a cruel heir
Kept up on ortolan and plover’s eggs.
It is as if the Nineties had foreseen
That which our later century would learn:
Without the marrow there is not red blood.
Bone marrow transplants must rejoice vampires,
Though one does not imagine Dracula
As breakfasting, except before daylight.
The narrow little fork twists out of bone
A health unearned for the etiolate.
There is a cannibal in each of us;
Convenient our slaughtering of sheep
Can surrogate it. Found by early man’s
Cracked-open shinbones are…utensil bones?
Are marrow bones for other marrow bones?

�</text>
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                    <text>Brains
It is the faint of heart who mix the brains
In scrambled eggs. For maximum effect
You steam the brain entire and serve it up
In lemon butter sauce, and if you like
Stud capers in the convolutions; false
Synapses, say, or neurons placed at will;
As if the Son Not Prodigal put out
As vengeance dying thoughts of fatted calves
Before his partial father’s squeamish guests.
The “presentation,” from the silver tray,
Lifts off the silver dome; the diners wince
Or they do not, as in another time
The wall chart of Phrenology repelled
Or may not have, as thoughts depicted there
Would have been flattering, phrenologists
Not being less aware than other quacks.
There come to mind the tales of certain tribes
Who eat the brains of enemies, to gain
Thereby such attributes as are contained.
A fork we raise, however, will not know
The bump of courage from the bump of wealth,
Though we are told the scalpel quite soon will.
Is there a bump of prodigality,
Or is a vice a figure of the whole?

Grenouilles
Volta’s experiment is easily
Repeatable, nor is electric shock
Essential. Frog legs in a frying pan
Will twitch convincingly: life after death,
If one inclines to think of life as spastic.
On the plate the legs do not offend;
Amphibians have fewer bones than fish
And one is not compelled to meet the eye.
In his dismemberment the onetime prince
Finds that the touch of lips does not restore.
What might have been a scepter was a gig.

�</text>
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                    <text>Mej. Zelle
In youth I was your basic overweight Dutch frump,
As at the end I was. Between, the quantum jump
To Mata Hari, ethnic artist dancing nude
Before Crowned Heads, if not the Asian multitude
That would know bump-and-grinding when they saw it. Spy?
Well, maybe. Such few secrets as I could supply
I hardly understood. But faced with firing squad
I was as firm as Nurse Cavell. A simple nod
That signals one is ready; and the blindfold off,
To serve as scarf, inhibit any final cough.
Once dead, I enter into glamour. Who can see
A Garbo playing starchy Edith and not me?
And if I danced enticing, Indo-Minsky scenes,
They were my income. Nurse Cavell had private means.

�</text>
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