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                    <text>Windy Day at the Beach
A gris; E gris; I gris…
High wind on loose screen doors bangs out a sound of gavels;
Angular,
The sailboats are a diacritic mark that travels:
A far white circumflex. And if their sea has vowels,
Jocular,
They are a yachting clubman’s, not Rimbaud transferals;
Are gray on gray. Ashore, accents are pampas grasses-Diacritics
Fuzzy-focused, leaning in a wind that passes,
That will make of them upright exclamations;
Make, erratic,
Grave acute. You Babel of the eye, wind-nations,
When the gavel sounds, and, fragile as the canvas,
Tongues are parted,
Accents shifted in an ease the hearing envies,
Where are the Laws of Language? Where the Judge, the Judgment?
Unregarded
Falls the Tower; breeze is breath, and sand encroachment..

�</text>
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                <text>Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University.</text>
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                    <text>Where Is Gutzon Borglum
Now That We Need Him?
Boulders forming the silhouette were dislodged
last week by ordinary geologic forces. Embarrassing , as the famous image appears on New
Hampshire’s souvenir coin.
--AP

The Great Stone Face existed as a face
In profile only. Should we in its place
Put up a one-man Rushmore in the round,
So literal that any meaning found
By any post-modern Hawthorne would be lost
In controversies over choice and cost?
The Profile had hawk nose and jutting chin
That one might contemplate New England in.
It was, full front, an overhang of rock
In which a symbolist would put no stock:
A naturally deconstructed text
Too jumbled to be dated or be sexed.
Generic Yankee, hero’s portrait bust,
Whatever goes up on the mountain must,
To make it onto any Seal of State
Be too beyond contention to debate.
A Great Stone Jackie Kennedy, perhaps;
An Old Man of the Mountain under wraps
Until revealed as (You may put in here
Whichever Rock Star you just now revere.)
Could no Onassis, God, cement or mortar
Prop up that image for New Hampshire’s quarter?

�</text>
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                    <text>What the Eyes of Texas Are Upon

Opposite Matamoros ("Slaughter of the Moors")
A fenced-in sandbar where the Rio Grande ends,
Unlovely Brownsville is itself a slaughter site,
If not of Muslims, then of smugglers' clientele,
Heatstroke and thirst each more effective agency
Than vigilantes on patrol. If terrorists
Are in that clientele--and is it thinkable
That Allah, after all those years in Andaluz,
Picked up no Spanish?--if then terror cells also
Are suffocated stateside in abandoned vans,
Homeland Security can claim a victory,
As can, statistics would suggest, narcotic squads.
An afterlife, a better life, the promise ends
This side of Paradise. There may or may not be
Ahead the sixty-seven virgins, living wage,
Room at the inn, the Magi's sure astrology.
As goal, the Lone Star, Juan, is only for the Wise.
.

�</text>
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                    <text>What the Eyes of Texas Are Upon
Opposite Matamoros ("Slaughter of the Moors")
A fenced-in sandbar where the Rio Grande ends,
Unlovely Brownsville is itself a slaughter site,
If not of Muslims, then of smugglers' clientele,
Heatstroke and thirst each more effective agency
Than vigilantes on patrol. If terrorists
Are in that clientele--and is it thinkable
That Allah, after all those years in Andaluz,
Picked up no Spanish?--if terror cells also
Are suffocated stateside in abandoned vans,
Homeland Security can claim a victory,
As can, statistics would suggest, narcotic squads,
An afterlife, a better life, the promise ends
This side of Paradise. There may or may not be
Ahead the sixty-seven virgins, living wage,
Room at the inn, Magi's sure astrology.
As goal, the Lone Star, Juan, is only for the Wise.

�</text>
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                    <text>Waiting for a Durbar
The Voortrekker Monument
If what we call the Cullinan,
The world’s immensest diamond,
Is by the nature of its form,
Its crystal structure, only part
Of some still larger diamond
As yet unfound, have we some cause,
At this late date, to search it out?
Discretion is today the gem
Of dynasties, whose mistresses
Are not what once they were. What is
What once it was, Pretoria,
However grim the deficit,
Would never waive the export ban.
Create therefore a crown to wait?
For all those Indian Army colonels
Beached in Pietermaritzburg,
Of their Dominion Capricorn
Some final Crown Imperial?
The Rajah Kruger heads them off.
Captive across the passes, held
Beneath the granite oculus,
Voortrekker Heights’ echoing dome,
As in a Boere baldachin,
Eight thousand carats catch the sun:
On tripod of the Rand’s own gold,
Unfueled, white, eternal flame-The mandate of the Volk expressed;
Long epic shrunken to a stone.
The empty setting in Natal,
The arches and the cross of pearl,
Make mockery of House and Mace
As patently as of a Crown.
Back to an earth contested long
Let drop the carbon: part and part
One jewel, out of light in dark;
Out, out of envy, in a clay
No fire comes to a second time,
Though every dominion burn.
The great volcanic throat, the mine
Which it encloses, contradict.
Their sky is red; their clay is blue.

�</text>
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                    <text>Visitors to San Simeon
1932

Anne Morrow Lindbergh
Charles will be flying in. I came by train
And car with all the other guests. Remote
As Hopewell, really, and such a strange display
Of privacy and ostentation. Mind
You, I can say compared to what. I met
The elder Morgan. At the age of eight,
Of course, which means my estimates were true.
J.P. and W.R. Initials hide
But label. Buying so much art no one
Can figure out your taste also conceals.
My mother would have come if she had known
That Mrs. Hearst would be in residence
For this as one might say non-Hollywood
Occasion. Pasadena's her excuse
To stay away. She's lecturing Cal Tech
On not admitting women. Need I say
She's staying with the local Huntingtons.
As Charles is. He is lecturing Cal Tech
On breeding scientists selectively.
I see his plane. There is no landing strip,
But he'll land anywhere. Among the zoo
Menagerie no doubt. East Africa
Is on his survey list. Perhaps with luck
I can again be pregnant and not go.
One hates to see the animals upset
By motors and the shadow. As if cave
Men flew and chased down mastodons. As soon
As we go home I have to plan a weekend
Party of our own. We've yet to have
A proper housewarming, although the thought
Of limousines across New Jersey's pinelands
Gives one pause. The roads up here put ours
To shame, but ours do keep the Press away.
I wonder… If you add to Next Day Hill
At its full complement of twenty nine
The house in Cuernavaca, and my staff,
Have we as many servants as the Hearsts?
How to invite Miss Davies? If she thought
That she could glimpse my husband she'd be hid
Among the zebras at this moment. Charles
Could deal with her. He'd simply break and run.

�</text>
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                    <text>Virtual Crown Jewels
There was no imperial crown--and to the end of Germany’s days
As an empire there would never be one, except as an artist’s
Impression on coins, flags, post-boxes and the like.
--Michael Sturmer, The German Empire, 1870-1918

Comparisons with England and with Russia
Too invidious, Wilhelm? Or pressure
From the Social Democrats? Confession
Southwest Africa as your possession
Could not muster diamonds to weigh you?
Baltic amber not enough display you?
Austria did not hold coronations
But had crowns; in its u.K impatience
Hungary had both, although St. Stephen’s
Crown, always at sixes and at sevens
With Vienna, gadfly in the ointment,
Just as headgear is a disappointment.
The Cross on top of it is somewhat leaning,
And crooked crosses have another meaning.
Omen, this at least is subtly sparing.
What if Faberge had decked out Goering?

�</text>
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                    <text>The View from the Prompter’s Box
Stage miracles are preferable to none,
And Little Eva on piano wire
Ascending into Heaven would have been,
In septic worlds where children died a lot,
Assurance of a sort. Bright wounds that bleed
And weeping, weeping virgins; body parts
Of useful saints that spring on cue to life,
Before the footlights as behind, betray,
As any objects of credulity
Betray by simple objectivity
Seen close enough in lighting strong enough.
It does not take a Marxist fantasy
Of murdered pregnant nuns to create doubt,
And if today the stage is more inclined
To credit Uncle Tom with sanctity
Than Eva, all that means is, guilt is in
And golden curls are out. But who can say
That Black is not blackface a bit whitewashed,
False pregnancies not prevalent in nuns?

�</text>
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                    <text>Veterans of the Forgotten War
As undependable as its eternal flame,
The Soldiers’ Monument subtracts and adds its wars
As shrubbery and winds of fashion may require.
High pyracanthus edges out of sight Viet Nam;
How long since you have seen a plaque to San Juan Hill?
Red berries and Political Correctness, peace
And pacifism, and the rising price of gas
Unknow the Unknown Soldier. Poetry of War
Means Homer or the trenches, no? The in-betweens
Have rather shorter shrift, and mercenaries none,
Nor we who did “policing.” Three upon a match
Is said to be bad luck, as PC would agree,
If only for the smoking. Still, a hasty strike,
The sulfur flicker and the thrice-intaken breath
May be a brevity as much a monument
As bronze and fuel. Come: fly in the face of luck.
Companion on my left, companion on my right,
Light up. The little heat that in the crowded dark
Picks out our faces shows us just how few we are.
But as the weed in life has been a comfort, ash
Can be rehearsal for a final scattering:
The cigarette field-stripped, the match in half, the self
Dispersed. If you would have some marker less diffuse,
Toss on the artificial turf a stubbed-out butt.
A litter is the midden of the future, lode
And mother lode long after every fire is out
And archaeology sees war in every ash.

�</text>
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                    <text>Update for Francis Joseph
The quiet Danube eases past the quays
As though all meanings and all things which freight
Already had been borne away: a silt
For deltas, wreckage in the Dardanelles.
Restorers raise a time that never was,
Of ruins recent and without pathos,
As if some Japanese film studio
Put up Vienna’s separate but equal
For the reptile monster to destroy:
High octane breath on Buda, panicking
The restaurants of Pest. Or as if each
Had been constructed as the other’s folly,
Bridges in between them all their real.
What Romany the Germans did not gas
Are violinists in the restaurants.
One cannot know if Lehar stole from them
Or they from Lehar. It will be “Play, Gypsy”
When the Bomb has fallen. Centuries
Of occupation by the Ottomans
Have left at least a Turkish Bath, intact
And functioning, a Crescent on its dome.
Or is it sickle without hammer, Marx
As emblem put to rout? Crusades and creeds
Come each apart. The Double Eagle split.

�</text>
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