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                    <text>I Dreamt that I Dwelt in Faux-Marbe Halls
Utopia eternally delayed in coming,
We shall have always possibilities of slumming,
Whose pleasures, let's be honest, have a firmer grounding
Than castles in the air with happy serfs surrounding.
It is no crime to gloat a little, thinking over
One's years of youth and patience, when a bed of clover
Seemed out of reach; and if not Hindu nails as bedding,
The prospect of a period of heavy sledding .
So, Mendicant down on your luck, Consumptive Hooker,
Old Thief, Blind Junkie, for the ever smug onlooker
You are his proof of status. Spectacle, assurance,
Forewarning, you, as we, are two sides of endurance.
For any spectacle there is a mob of Romans,
As Leftists have their sacrificial Willy Lomans.
Let us enjoy our little hour of sneers at vassals.
The welfare state will soon enough reduce our castles.

�</text>
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                    <text>I Should Change My Life for That?
Archaic torsos of Apollo do not move me;
Neither do the marbles of Praxiteles.
Given their reputations, it must then behoove me
To draw up my denunciations.They are these:
The torsos' missing head is Queen Victoria-The arching nose and Hanoverian popeyes;
And classic statues would excite euphoria
In West Coast agencies whose models advertise
Weight training methods. I prefer Laocoon,
A Greek Goliath either of whose agile sons
Is more a David than that muscle- bound dragoon
In Florence (Lover? One night stand stood more than once?)
Lord Elgin, Rilke, Buonarotti, come up front
And have your prizes. You, Milord, have for your taste
In hauling off to London so much kitsch, the brunt
Of irredentists, though by right you should be graced
With honors, as a profile of Our Gracious Queen
Should go to Rilke. Michelangelo… Well, slings
And arrows he professed to have; slings must have been
Acceptable, a needful prop the subject brings.
In Sicily the temples have not put up friezes,
Meaning they look less a Doric comic strip.
Forbidden likeness, Moorish Art abstracts, and pleases,
Adding nothing on bare form. The Greeks equip.

�</text>
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                    <text>I Dreamt that I Dwelt in Faux-Marbe Halls
Utopia eternally delayed in coming,
We shall have always possibilities of slumming,
Whose pleasures, let's be honest, have a firmer grounding
Than castles in the air with happy surfs surrounding.
It is no time to gloat a little, thinking over
One's years of youth and patience, when a bed of clover
Seemed out of reach; and if not Hindu nails as bedding,
The prospect of a period of heavy sledding .
So, Mendicant down on your luck, Hispanic Hooker,
Old Thief, Sick Junkie, for the ever smug onlooker
You are his proof of status. Spectacle, assurance,
Forewarning, you, as we, are two sides of endurance.
For any spectacle there is a mob of Romans,
As Leftists have their sacrificial Willy Lomans.
Let us enjoy our little hour of sneers at vassals.
The welfare state will soon enough reduce our castles.

�</text>
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                    <text>I am going to create a new document and try to save it. I will not use the “enter” key because there seems to
be some problem.

�</text>
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                    <text>Forecasting
The TV anchormen who cover hurricanes
All lean heroically into the lightest wind,
And have a look of ads for rain-proof sporting goods.
If Weather and the Entertainment Channels merge-Conglomerate, as rumor threatens-- will rain gear
Give way to Samuel Goldwyn of The Hurricane?
Sarong and lava-lava, and a wind machine
To liven background? Show Biz as meteorology,
Ice storms as Ice Capades, and any local drought
Stock footage from The Grapes of Wrath. A Cuckoo clock
From which emerge in turn the children or the witch
To promise sun or rain would photograph as well
And be as accurate. Computer graphics, map
Or satellite, man on the spot, balloon… Not one
Of them more accurate than Farmer's Almanac.

�.

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                    <text>Hoover's Towers
Atlanta

In silhouette a giant ultimate
Of Flemish-Dutch bell towers, in flat light
The red of Lenin's tomb, and possibly
Monument to as pumped-up a cadaver,
(Check the price the stock is going for)
The tall bank building pierces gray Fall skies..
Veterans Day, and flags are flying: Fed,
The Bank logo, State, U.S., U.N. Blue.
Across the street, the Rebels' Stars and Bars.
A cortege of the wind goes by; all dip.
No poppies, real or paper, but wide beds
Of yellow plantings. Have we here
A Flanders of the Mason-Dixon Line?
Know: Belgium's a divided country too,
Hope that, as the inconstant sky grows dark,
And there is thunder, it is not the Klan,
Nor that our Southern Goth is heritage
Of Passchendaele. Make of a cloud of yellows
Propaganda scenes of mustard gas,
Or of a lightning flash artillery,
And it must follow bells are armistice,
An office building 1929.
The next crash that you hear may be the bank's.

�</text>
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                    <text>Holy Wisdom
A Failure as a mosque--it does not point
Toward Mecca even sort of… Ataturk
Was right: the building’s most effective use
Would be as a casino. Is its dome
Not like a great roulette wheel upside down?
The decades of the Orient Express
Would have espoused it; have had minarets
In lighting vivid as the Vegas Strip,
As those in Cairo at this moment are.
The round quotations from the Koran, lamps,
Uneven floors (a loose flagstone is luck,
As Proust‘s Marcel found out) combine to shill.
Mosaic Theodora, beaded bag
Swung at the ready, is prepared to bet.
The temple of Justinian indeed
Surpasses: it drives money changers in.
It is itself surpassed, and not alone
In reference to rigor, by the mosques
Of the Magnificent, whose architect,
Siana, was not a man to take a chance.
He was a military engineer,
And no designs of his say Monaco.
If they were used as powder magazines
No enemy bombardment could reduce
Them to a Parthenon, no Elgin seize
Their graven images that are not there.
They are the indestructible outcome
Of strict Islam de-Hellenizing pi:
The circle and the square made algebra.
On red horizons, as our planets rise,
And as on launching pads wait minarets,
True mosques are planets nearer--partial globes,
Among the standing rockets that have brought them close.

�</text>
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                    <text>Hitting the Silk
The golden parachute we really need
We need for the emotions. Severance
Can be, of course, itself a payoff. Bleed,
Heal, put behind… Still, falling from the chance
Of hurt through gentle letdown to a ground
On which to keep both feet has too a role.
Do not suppose, Fall Guy, there will be found
A second time such fancies of control
As once you had, or so bright element.
Long love, deep air, and if not silk and gold,
Haiku and kamikaze; loss, descent,
Downsizing. Wrap the final scarf, unfold
The chute, and skydive neat: response in kind.
A Market, be it bears or be it bulls,
Prefers investors not bail out. Resigned
To split, hope rallies as the ripcord pulls.

�</text>
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                    <text>Hitler's Weather
Architecture 202
On Not Developing the Site
Crossing the Red Sea
Advice for Joshua
As the Turk Turns
Call Me When the Cross Turns Over
I Should Change My Life for That?
Albert to Antinous
Infrastructures
Hard Logic in the Body Shop
A Cult of Nag
Triage
Reality Check
One-Way Litmus
Polly Wants a Cracker
Uncle Wrigley
The Pleasures of Slave Owning
A Tale of Three Cities
Rebuilding New Orleans
Crowning the Kingfish
Cardiac Arrest
Strictures of the Floating World
Worlds and Underworlds
Has the Moulin Rouge a Subtext?
Deferring to the Count

�Not All That Long a Way to Tipperary
Veterans of the Forgotten War
Great Non-Egyptian Mummies
Oppie in the Heartland
Evangelisms
Gabriel
Banana Republic Baroque
Everything Today
Makes Yesterday Slow
Clausewitz of the Drawing Board
Meterology

�</text>
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                    <text>Hell for Henry
Henry James's 'Great Good Place'
Was no resort one would embrace.
It was a sort of club, genteel,
Of course, with the old appeal
Of wealth and titles. It would bore
Even who struggle to adore
The Golden Bowl, or page by page
Trace speakers in The Awkward Age.
Let's out of malice postulate
Today a Jacobean Great
Bad Place: a clubman's worldwide Hell,
A counter-universe Pall Mall.
The B.A. Jockey, to reject
The Master in a cut direct.
Pacific Union on Nob Hill:
The Big Four's Triumph of the Will,
The Floods and Crockers with their talk
Of mergers; Chinese staff who gawk.
The Rand Club, full of Parktown Jews
But who as brokers have their use.
The Shanghai Club, at whose Long Bar
Appear Old Hands who were and are
The past one travels to avoid.
New liners from North German Lloyd.
Alack, Poor Henry! So remote
From Mayfair, so near blackball vote.
Without a prayer to avoid;
New liners of North German Lloyd;
The Kenya Happy Valley crowd,
Athletic, younger sibling, loud.
Alack, poor Henry. So remote
From Mayfair, so near blackball vote.

�</text>
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        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
