21 10 339 https://cassity.digitalscholarship.emory.edu/files/original/c33799af6bfa92234f9f9ec3a45616ac.pdf bc3331fa6f1d6f34972b125d8c7a14ca PDF Text Text He Decides Not To Play House We aren’t exactly All-For-Love-The-World-Well-Lost. The merest inconvenience is enough of cost To put us off: the ash tray out of place; the light Left on or not left on; a less than honor bright Bathtub; and-- in its way unmeaning’s quantum leap-The unknown name called out in sleep. Ignore it, since you can. You cannot out of hand Ignore upon your back a scratching wristwatch band. Wind-up or digital, better a short scar here Than time trochaic on a pillow by the ear. Perhaps watch-pockets were, for Lee’s dropouts and Grant’s, How bonding took. The Elgin came off with the pants. Our own desertion cult may fission but not fuse. Or is a touch cold fusion? It might warm with use, But habit is itself accretion that prevents. For turf-confirmed Old Hands, street Arabs folding tents And stealing is a clear best case.. Who comes to stay Misunderstands the desert. “Built on sand,” we say. Just now we are a meaningful relationship; Are Siamese identicals joined at the hip. The mattress-ticking too is something like a pain. I may get up und lass die Uhre alle steh’n. I’ll not deny. I like the sleep together bit. I’ll never be lifelong practitioner of it. As once was said in what would be a gallows jest If there had been a gallows, “Sleep on. Take thy rest.” (Not said of Arabs, street or otherwise. One finds, However, night is cushions, coffee, ash, flesh, minds.) Another name, this time my own. A toss in-place; Turn; ashen-scented fingers inches from my face. In full moonlight--I have a good eye for details-The Crescent conquers in the half-moons of your nails. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource He Decides Not To Play House.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-03-02T14:11:27 Date Modified Date on which the resource was changed. 2006-04-06T22:30:33 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 98ba8b23593f42f789abcbf30473cf4a Poems_for_Isobel TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/53a0e7a8ba8dc647aec4cce9bc4425a2.pdf c3bd62e85854d67396e382702ebabda3 PDF Text Text Has the Moulin Rouge a Subtext? Suspecting there were Belgian traitors signaling To Germans on the other side of No Man’s Land, And that the code was how they set their windmill sails, The British turned artillery upon the mills. Had they not heard of Don Quixote? Or did years Of Boy Scout Manuals condition them to think All arms are semaphores and any breeze a chance To raise flag signals. But of course the winds do speak. They say the gas attack will go as it was planned Or turn on the attackers; say the millstones turn, That is, that there is grain, that famine is not yet. Lt. De La Mancha of the B.E.F. Artillery, how rueful is your countenance And what romance impelled you to the stalled assault In which you are? The Boy Cadets at Waterloo? Beware of any local vision you might make Your Dulcinea. Mata Hari spied in French But spoke in Dutch. What is the speech of carillons? Might not bell tones in sequence be another code? Is that sufficient hint to bring in fire control? To implement the “sweet bells jangled out of tune?” The rain sweeps in from Ostend, and the ruined mills No longer may betray, but they no longer pump. Quixotic, that the foe you tilt at should be mud; That belfries using wirelesses may speak en clair. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Has the Moulin Rouge....wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-03-09T14:23:54 Date Modified Date on which the resource was changed. 2005-03-09T14:23:54 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 944edd6bfba8ccc1f2335bfa5f1a9125 Misc_Some_used Particulars_of_Hell\Misc_Some_used TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/6aa9691802b21789d3b55e1600856c87.pdf 5cd24f595f3ce769de54d0906d32fe14 PDF Text Text Hard Logic in the Body Shop Into the steady hiss of the acetylene, As if to look upon the Gorgon and survive, The worker in his welder’s helmet leans and stares, A cautious Perseus, although not unaware That he can turn the gaseous Medusa off. Less obvious than rivets, still, his seam will show. Not at the weld, however, will the metal break, Suggesting that its weaknesses go through and through, As weakness of the flesh is said to, by the faint Who praise the spirit, meaning that the tempting phrase “Only connect” is of no use in bettering Society, enough a tangled vipers’ nest Already. Not to turn to stone one must be blind Or in the mirror manage not to see the self, While saving what there is to save, Andromeda Or just the metal of her chains. Their links restored, Pause, cut the flame, and lift the visor. Workman, face, Eyes wide, the ash and smoke of action done: that too A threat of stone, the Gorgon stare of one's art judged. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hard Logic in the Body Shop.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-02-22T17:42:24 Date Modified Date on which the resource was changed. 2006-12-09T11:07:38 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context dffc3b3c5c9e6bc25cf7e0679574baf0 Particulars_of_Hell TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/ca8c82d53865bea73a9efcd95a4c8c18.pdf e0966102ad9bfa6abf0dcc934dfa5c4c PDF Text Text Gun of the Moon Inertly rusting in its well of fire-brick, Covered, but itself a cistern dense With the mosquitoes of the many years Since it was fired, the moon gun breeds its wings And draws its tourists--memory and quinine Strong, ex-future passed to pestilence. "Columbiad, the gun from which, on July 4th of 1866, was shot Man's first projectile from the Earth to Moon. 'A fuse length for a man, and for his kind The ages' dream. How long the leagues of light?'" But for the plaque, and for the rays of scorch Upon the level ground of oyster shell, It might seem what it is, a wishing well, A fountain rim mute in a quiet garden. Man's wish of course continues: Cyrano's Conceits: to climb a lodestone tossed in air; To spiral upward on a waterspout, Or clockwork lift rewound by compressed air. Teleportations, missiles, chariots… A Book of Revelation's open end. Gun-cotton packs the barrel; fuel chills The rocket gaskets; prophets, false or true, Mount to the reins; the out-of-body soar. Eternal target, targeted in lack Of any evidence of human need Or possibility of use, the Moon Draws purposes as surely as the tides. Aim has the double meaning of intent And where one fires. In Space no windage is. It's to intention that correction comes.. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gun of the Moon.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2007-02-01T18:38:10 Date Modified Date on which the resource was changed. 2007-03-20T11:26:28 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 97747713fa25c7d6bf3de64d81d4dcc5 https://cassity.digitalscholarship.emory.edu/files/original/f27cfaec5b1f1d81e874aec1b0f6af9f.pdf 67b49bcf747a8e8e600c7ea74f7e6088 PDF Text Text Gun of the Moon Inertly rusting in its well of fire-brick, Covered, but itself a cistern dense With the mosquitoes of the many years Since it was fired, the moon gun breeds its wings And draws its tourists--memory and quinine Strong, ex-futures passed to pestilence. "Columbiad, the gun from which, on July 4th of 1866, was shot Man's first projectile from the Earth to Moon. 'A fuse length for a man, and for his kind The ages' dream. How long the leagues of light?" But for the plaque, and for the rays of scorch Upon the level ground of oyster shell, It might seem what it is, a wishing well, A fountain rim mute in a quite garden. Man's wish of course continues: Cyrano's Conceits; to climb a lodestone tossed in air, To spiral upward on a waterspout, Or clockwork lift rewound by compressed air. Teleportations, missiles, chariots… A Book of Revelation's open end. Gun-cotton packs the barrel; fuel chills The rocket gaskets; prophets, false or true, Mount to the reins; the out-of -body soar. Eternal target, targeted in lack Of any evidence of human need Or possibility of use, the Moon Draws purposes as surely as the tides. Aim has the double meaning of intent And where one fires. In Space no windage is. It's to intention that correction comes. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gun of the Moon II.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2008-02-16T14:48:45 Date Modified Date on which the resource was changed. 2008-02-16T14:48:45 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context c9f8197a52b7152b5d7143a46e076d9d https://cassity.digitalscholarship.emory.edu/files/original/080a13b750eb9664cd2818d7199a72e0.pdf 54b4c1c547ce51ccd933b2087fd3fec3 PDF Text Text Professional and Personal Papers of Prof. Charles Bennett Gullans (including correspondence) The period covered by this material is from 1947 until Dr. Gullans' death in 1993. It covers his association with the "Stanford Poets" who began as students of Yvor Winters, including Edgar Bowers, Thom Gunn, Helen Pinkerton Trimpi, Turner Cassity, Kenneth Fields, Philip Levine, Janet Lewis Winters, and Winters himself. There are program notes that as a very young man Dr. Gullans wrote for the Minneapolis Symphony under the direction of Dmitri Mitropoulos. There are working papers for Dr. Gullans' edition of the poems of Sir Robert Ayton for the Scottish Text Society. as well as for his own poetic collections, including unusually extensive mss. for earlier versions of these poems. As author of Decorated Cloth in America: Publishers' Bindings 1840-1910 Dr. Gullans was perhaps the authority on decorative book bindings, and his researches on these are included. Of particular interest to the Woodruff Library will be, because of the Yeats connection, the records of his pursuit of the writings and graphic designs of T. Sturge Moore, as of the work of the artists Charles Ricketts (later president of the Royal Academy) and Charles Shannon. The records of Dr. Gullans own Symposium Press, devoted to luxury printing, are present. The most extensive correspondence, uninterrupted for thirty years, is with Turner Cassity, whose letters from Dr. Gullans will be given to Emory. There are diaries from trips abroad, appointment calendars, and eleborate "meditations." � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gullans.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2006-02-14T17:13:02 Date Modified Date on which the resource was changed. 2006-02-14T17:13:02 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context a82a82a72eed20d8f40ad785e55f12ce Misc_Some_used Particulars_of_Hell\Misc_Some_used https://cassity.digitalscholarship.emory.edu/files/original/86eb938050d77ddab1b0bef24a4177d2.pdf 43eed9deb57b2310e805e1d027cddb8f PDF Text Text Eye of the Storm, or Where. The intervening decades drop away And I and you are young. But are young where? Youth has its venues; age is anywhere: The clinic, supermarket, shopping mall. In adolescence place was Hotel Row Along the Gulf. The Mafia's discreet Broadwater Beach; the local favorite The Buena Vista: Budget Alamo, Our base. Sunburn and rum drinks, roulette, slots. Courtyards with artificial Spanish Moss. Named hurricanes have altered all of that. And from that smart, good-looking teen you were Their wake has seen you turn to what is known, For lack of better term, as "family man." (Not that we'd have you any other way) I? Let's just say I do not gather moss. But as the ebbing tide leaves step by step The seawall, and on Highway 90 cross Unstoppably the drunk pedestrians, It's once again May 1948 And what our local high school countenanced Instead of colleges' Spring Break. The sea, As has been said, is everywhere the sea. A beach is sands' fee simple, and for me Is time-specific. Always you that year. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource gulfport.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2009-01-26T12:26:15 Date Modified Date on which the resource was changed. 2009-02-15T15:39:22 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 81d901eeafd00a14262f72e71fd02e00 https://cassity.digitalscholarship.emory.edu/files/original/a559d34604083533004279fb68a643d4.pdf 8571e241fbd311dfcc76cbe82491d5db PDF Text Text GUIDELINES FOR A COVER ILLUSTRATION ‘Adventuress’ is, as a term, this side of ‘slut’, If only just. A sexist term and nothing but. ‘Adventurer’ touts heroism, if a sort Whose purposes, in light of later ends, fall short Of what Correctness calls for. As of now no one Might be adventurer unless with knife and gun And armor of the ethnocentric. Doubt, good works, Children disqualify. The old way had its perks: A native servant; chance to strike it rich; wear, more Convenience than symbol, what the White Hard Core Wear: jodhpurs and a real pith helmet. Low-rise jeans On Peace Corps hips define what anti-hero means. Nor does one quite see Vassar’s Summer-In-Brazil To-Count-Endangered-Insects grist for Marvel’s mill, Or Hanoi Jane as Earhart. What screen type today Would not appear ridiculous if forced to play Above a score by Korngold? Astronauts are backed; Adventure is the free-form, unsupported act Outside group think, and envied by the orthodox As the ability “to think outside the box.” It asks, of the society that it excites, Exemption. Heroes do not haggle for their rights, Which are the summit set upon, the banner placed, The tiger in the sights, enchantresses embraced. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guidelines for a Cover Illustration.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-02-22T13:27:07 Date Modified Date on which the resource was changed. 2006-07-30T11:41:13 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 09041a2fa4233a29f91f6e02aca38f82 My eBooks\Rolling_the_credits Particulars_of_Hell\My eBooks\Rolling_the_credits TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/371769b6e09a188c596319dedfc75153.pdf 9c256b981432ac5f5a7b9a1a7de87427 PDF Text Text Greening the Hanging Gardens And did the Hanging Gardens always hang, Or end at intervals down by the riverside? Undoubtedly the terraces would leak, But what was underneath? Chaldean orgy rooms? The wreck of solar panels on the salt At Bonneville is the success of RV gangs Defending racing. Flat Sahara roofs Might maximize the sun, but sandstorms dim it out. As if to advertise Mercedes Benz Abandoned wind turbines are great three-pointed stars; Ads too for how perverse the Jet Stream is. Go geothermal? Pompeii at Yellowstone? Firewood and peat; and cattle dung, perhaps. Atomic power; ethanol. All energy Is tribute to how fond we are of sloth Renew the leases, President Obama. Drill. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Greening the Hanging Gardens.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2009-02-23T15:38:50 Date Modified Date on which the resource was changed. 2009-03-01T13:35:47 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context cad723893bdcde5d1b555dd91772833f https://cassity.digitalscholarship.emory.edu/files/original/92313db82ab77a34b71644ab68601858.pdf af5481cd69165d44804208934f3a23a6 PDF Text Text Great Non-Egyptian Mummies I Depression sideshow looking every bit as old As Tutankhamun, one of some three dozen souls Who on their deathbed bragged of being John Wilkes Booth Is on exhibit. There is evidence of fire, But carnivals themselves burn not infrequently. X-rays above the coffin show a broken leg, Though nothing certifies those photographs are his. If Dr. Mudd was guilty and let Booth escape, What was the actor’s life existing on the lam? A barker? Possibly this barker, summing up, For who are willing to believe, a vivid life Not quite his corpse’s: every man’s conspiracy. II Attended in suburban Buenos Aires by-No tyro--Isobel Peron, the glazed remains Of Eva wait a restoration. Not of them, Which from the first have been state of the art. Of Juan, Who travels with the body as one might with spares, Or trip insurance. Isobel, the former dance And nightclub hostess, not yet grieving president, Pulls out the rusted hairpins and replaces them; Dusts off the jewel copies; vaselines the lips. Pizarro in his crystal case in Lima fares No better. It’s a Valley of the Fallen shrunk To one: an Elba, truce, St. Helena to be. III He’s offered now at half the price, an honest pitch, As only half of him is there. The endless queues Outside the granite of the ziggurat have gone; The Guard no longer changes at the hour. The State In fact is withering away, although to what No one is betting. Barnum, thou shouldst be alive At this hour. Lease Evita, purchase Lenin, find One more among the many Booths, and watch the world Beat down your doors. Add in John Dillinger in part And see Madame Tussaud herself turn in the grave. How often has your fool, the every minute born, An all time chance to see his wise ones mortified?. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Great Non-Egyptian Mummies.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-03-10T18:30:54 Date Modified Date on which the resource was changed. 2005-05-02T13:32:46 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 3d0d1fb4aef531066bc6e63d6117f4d3 Misc_Some_used Particulars_of_Hell\Misc_Some_used TCBKS2