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                    <text>End of Summer
The lightning flickers intermittently,
A code unknowable that cannot warn.
The dazzling strike will hit us when it hits.
I ’ ll name you, for this poem ’ s purposes,
Blitz, saying you are either swift or bright.
A flattery? The first few times we spoke
I had the feeling not of storm but still.
One does recover. Numbness may remain,
But there is too the reassuring thought
No single space will twice be targeted.
And space it is: conductive emptiness.
Heat lightning has no thunder; thunderbolt
And sound arrive together, as do touch,
Response, burn.
Flash and meaning both will go,
Some cooling come, as always, of itself.

�</text>
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                    <text>End of Summer
The lightning flickers intermittently,
A code unknowable that cannot warn.
The dazzling strike will hit us when it hits.
I'll name you, for this poem's purposes,
Blitz, saying you are either swift or bright.
Too flattering? Those first few times we spoke
I had the feeling not of storm but still.
One does recover. Numbness may remain
But there is too the reassuring thought
No single space will be twice targeted.
And space it is: conductive emptiness.
Heat lightning has no thunder; thunderbolt
And sound arrive together, as do touch,
Response, burn.
The flickering will go,
Some cooling come, as always, of itself.

�</text>
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                <text>Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University.</text>
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                    <text>Embracing Restraints
Here are the little lies I live:
Nan, thirteen; ten year old Lenore;
Ted, four, whom I was trying for;
And, late lagniappe, my infant Viv.
The girls would kill to have Ted's hair;
It looks like Vivian may yet.
Hard not to spoil them. I'm in debt
To my own Dad, who taught me "Share
And share alike, and in a bind
Draw straws or flip a coin." How stern
Could you be? Work up a slow burn
Defending me among your kind?
You need not. Neither of my wives
Or I preferred you out of sight.
Not that you could not "pass." You might
Yourself have joined the eight-to-fives
And have this life a yuppie dreads.
I chose it. Or was it pure chance?
A second time, same circumstance,
I' d toss a coin that has two heads.

�</text>
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                    <text>Elegy in the Vicinity of Duino
Outside Trieste, Castle Miramar
Is what the wilder shores of Europe are,
And that by virtue of décor, not site:
Highland Baronial, the Coburg blight,
Balmoral by the Adriatic. Not
Too tasteful, Maximilian's Charlotte
(If you prefer, Carlota; Mexico
Had neither preference nor chance to show),
But, some few years before Victoria,
An empress. For the nonce Italia,
Hard on the heels of being Austrian
(Austro-Hungarian), Pan-Istrian,
Free City, Allied Zone, or What-You-Have ,
Thanks to D'Annunzio, not Yugoslav,
Trieste vacillates along its shore,
A counter-Venice, interested more
In shipyards than in marrying the sea,
Whose relict nonetheless it comes to be,
In murder of the Archduke (no, not Max;
Franz Ferdinand) as Versailles bargains, hacks
Away its hinterland. Art student, tear
Yourself away a while from St. Mark's square
And say, if you have knowledge, how it is
Art's judgments, plebescites', and history's
Cannot locate the moral in this wreck.
It's that Vienna's not Chapultapec.

�</text>
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                    <text>Eiffel without the Tower

Unrealized contracts in Panama;
Low bridges over rivers in Saigon;
Enlightening the world with strong spine hid,
The one-armed skeleton of Liberty;
Advanced enough to awe the Viennese
A railway terminal in Budapest;
Prefabricated chapels floated off
To Baja California, and, low
Tech folly--although not the engineer’s,
His client’s--in Iquitos in Peru
A metal mansion insects cannot eat
But which in tropic sun, predictably,
Defines unlivable. A century ahead,
With air-conditioning in force,
It’s a casino. As an unforeseen
Advantage, management can magnetize
The iron and subtly bias all the wheels.
If Liberty is biased--and she is,
In favor both of huddled masses, and,
Perversely, open spaces--how astute
True metal of her structure is not shown,
As neither iron nor copper, it is gold.
Without it no enlightenment can shine.
If Liberty defies consistency
The Tower stands defying gravity.
Unlike those hidden frameworks in New York
It puts its every stratagem on view.
They may or may not reassure. The lift,
Pre-Otis, is a pleas for confidence.
But, seen or hidden, physics has its laws.
One may interpret as a client asks.
However much it may confuse the tongues,
A tower is what language says it is,
And Liberty is what one makes of it.

�</text>
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                    <text>Edith and Woody and Nancy and Ronnie
Edith:

I sheltered from his world a dying man.

Nancy: As I did. One must function as one can,
And I was daughter of a doctor. You…
“Ole Miss” a little out of time.
Edith:

How true.
The White House is the Old Plantation stripped.
No loyalty, no aid. A whited crypt.

Nancy:

As keepers of the flame we kept the gate.

Edith:

Admit the Press and see them douse the grate.

Nancy:

Did we succeed?

Edith:

You did. The long intrigue
Out of the East is done. As for a League,
That languished. Enemies are thick to meet:
The Kremlin or the Congress.

Nancy:

Or the street.
Assassination, stroke; a few discreet
Releases as to state of mind or health
And we are held up to a charge of stealth,
Greed, power madness.

Edith:

Live a little while
Beyond the libelers and let that guile
Be your rebuttal. Once who pry are dead
Research will have to go with what we said.

�</text>
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                    <text>Edith Wharton
No worse than Biltmore, and the art is better,
Though in such a setting genuine
Looks like a reproduction. Can there be
Left anywhere in Italy one cast
Or one Canova? Pauline Bonaparte
Beside a swimming pool is all too apt.
Could Berenson survive a visit here?.
No. Too much envy of the fortunes spent.
Nor could have James survived. Too rich donnees
In too short time. Conceive The Golden Bowl
With, as we say, a cast of thousands. They
Might well improve it: trampled underfoot
It might at least resemble less Fool's Gold.
The true James here may be the pergola.
It wanders like his later sentences.
But California can turn a screw:
Miss Davies as Miss Jessell, Peter Quint
Instructing tennis? Curious the house
Has no grand staircase. Too evocative
Of chorus girls? Am I the thought to be
Victorian so strict that Mrs. Hearst
Had to be hurried in as chatelaine?
Come, Willie. Do you think I do not know
That Millicent was once a chorus girl
Herself? But you and I do understand
Each other. We know the only point
Of money is to spend it. Old New York
Confronts the Gold Rush. Appleton may quibble
Over royalties, but you will not.

�</text>
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                    <text>Edith Cavell
England’s recruiting poster Joan of Arc,
I was a crypto-Walloon, and a stark
Reminder that when all is said and done
The letter of the law was with the Hun,
Although I rose at once to such renown
As was the Lusitania’s, once down,
If with as little claim to innocence.
All that could be brought forth in my defense
Is that I did not profit from my acts,
And that confession is what guile exacts.
Do not think my examiners were fools,
Or did not judge according to their rules.
It is the rules I fault, and though in days
To come I may be seen as through a blaze
Of Union Jacks and poppies, do I fail
If, unlike fearless Florence Nightingale
Shaking the military in her zeal
To bring the male establishment to heel
I’m seen as only fragile victim-nurse,
Or I-Want-You in posters, which is worse.
I’d sooner I urged Flemings to revolt
Or pacifists in Government to bolt.
Out in the Empire I gave name to streets,
But that was pre-Mahatma. Time deletes.

�</text>
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                    <text>Eclogue against Ecology
Fool’s Paradise? And is there any other kind?
The fruits of Eden, we know, now, are largely rind,
And knowledge less a tree than some intrusive graft
That does not take. To know is not so much a craft
As it is exercise in self-deception: Eve
Or Adam, we embrace the Garden that we leave,
Attracted by the warnings put there to deter.
Deep down, it is the challenges that we prefer.
Hunting has more appeal than naming, and the name
Of any beast outside the gate is simply game.
From food to sport to murder is a seamless scale,
But if we break it we return to worm and snail
And that nude pair so bored they took up with a snake.
Cain’s sons are gladiators; Abel’s wield a rake.
If Eve has daughters have they taken to the street
From down the garden path? Had they a choice? Who eat
The fruit the pits will sicken. Checkpoint Angel, sword
Aflame, is subtlety the sin we backslide toward?

�</text>
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                    <text>Ecclesiology,
or,
Housing the Whore of Babylon

Done--thirty years and eighty years in building-Truro and Liverpool, the last cathedrals,
In their design, their size, and their financing,
Reveal the Church of England as the true
Career Chaldean hooker. Rome would blush.
Eight decades after its expensive shelling
France winces at the cost of Rheims; San Marco,
One, presumes, floods with the rest of Venice.
Quebec and Spain may fund, exiguously.
Not so the Moslems and the Anglicans,
To whom extravagance is second nature.
A sort of T.E.Lawrence builds among us.
Another century, moreover, battle,
Neglect, or out-and-out iconoclasm
And who will know how new the churches are?
Old fashioned in their time--if you would rather,
Traditional--with changing taste, or distance,
Being there will give them their attractions.
And art historians, who have no conscience,
Will find at last they liked them from the first.
Already, like a pre-echo of footnotes,
One almost hears their pride in their descriptions.
“Victorian Late Cornish-French.” “Alphonsine
Hispanic-Moorish-Merseyside Revival.”
They are in fact Contractor Arts and Craft,
And are entirely flawless in their structure,
As in the scholarship of their detailing,
The which, the lack of Folk Art imperfections,
Peasant whimsy, for the present damn them.
The Folk, meanwhile, defect to the machined.

�</text>
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