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                    <text>Director's Cut
The lamasery in the Capra Shangri-La
Looks more like Bullocks Wilshire than like T'ang Tibet,
But. L.A. shops for mysticism as for chic.
Not for the locals instantaneous old age
Or any other kind; the Santa Monicas
Are not Himalaya. Guru, can you command
Cosmetic surgery's short term eternal youth?
Beyond the peace and fruits and nuts await the wars
That age the world. Horizon lost and destiny
Uncertain, toward the flatland go the bored and bold.
Unless the Dalai Lama occupies the set
It could disintegrate into a roadside zoo,
A sort of monkey island for a Yeti tribe;
Unfinished mausoleum meant for Chiang Kai- Shek;
Or Jonestown for the last Charles Manson followers.
Utopia, if it exists at all, is flats
And plaster; life, if wonderful, a feelgood farce.

�</text>
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                    <text>Die heil'ge deutsche Kunst
San Francisco

An early curtain at the War Memorial,
And as the lights go down two well-dressed gentlemen
In boots and leather occupy their center box.
It makes a certain sense. We do incline to wear
Our most expensive outfit to the opera;
And white tie surely costs no more than naugahyde.
Are motorcycles frowned on at the porte-cochere?
If, just a little bit, our flesh begins to crawl,
It's not because the boots seem inappropriate.
If anything the opposite is true: the hint
Of scars and duels; of a cult of practiced pain.
Even the late night leather bars at last must close;
Triumph des Willens costume parties also fold.
We've uncut Wagner. It will end too late to change.

�</text>
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                    <text>Devils and Islands
The Last Newsboy
The Last Cigarette Girl
The Last Elevator Operator
The Last Chaperon
Fashions of 1903
Robinson Crusoe to Capt. Dreyfus
The Garden of Yellow Jack
Worlds and Underworlds
Deferring to the Count
Mej. Zelle
Edith Cavell
John Walker Lindh
Triage
Infrastructures
Pick Your Pyramid
Amazonas. com
Models
Tadzio in Trieste
Albert to Antinous
Jurassic Park 1951
Crystal but not Crystal Ball
Inventing the Subdivision
The Devil and Daedalus
Leda and the Albatross
After the Fall
The Pleasures of Slave Owning

�Before Clocks Were Digital
Where is Gutzon Borglum
Now That We Need Him?
Fantasia on Dummy Keys
A Course in Sax Education
Soldiers Three in the Big Easy
Administrating
One Third of a Triptych
Afterward

�</text>
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                    <text>The Devil and Daedalus
What was the wish of Icarus?
To fly, or to be seen to fly?
What was the wish of Eve?
To know, or hope that, knowing, she could teach?
Do not presume that any end
Will cast a light on motive. Wax
Gone soft, explicit fruit enjoyed,
The sunlight conquers, and the serpent.
Threat subtle or threat obvious,
Free will is that to which, for praise,
The fabricating father frees.
A rib removed, the wing affixed,
Alike bespeak the patriarch,
As Icarus and Eve mean fall.
Flight, when it came, kept close to ground.
If knowledge comes, it comes in part.
Are they in league, the snake and sun?

�</text>
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                    <text>DEVELOPING THE LOST WORLD
AN HOMAGE

Turner Cassity

�</text>
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                    <text>Deferring to the Count
Death is a sort of Schlieffen Plan.
It pivots on the young and sweeps the outer edges,
Who are we. Outside the span
Of threescore years and ten, do not its stages
Coerce us ever toward the Styx?
How could you, Count, on campaign maps have failed to see
You drew a sickle, with its fix
Increasingly on reapings grimly sure to be?
And though some few of us become
Tight pockets of resistance, we are not the Marne.
The juggernaut rolls on, a Somme
That never ends, or ends in that putrescent tarn
Senescence is and Flanders was: the Pit, the Poe,
The Pendulum whose fatal pace
Not either discipline or mutiny can slow,
And Time creates of any space.

�</text>
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                    <text>Defamations
And did we kill the Christ?
The rumor of it so far has sufficed.
Did we eat infants' bones?
Unleavened. Maybe lack of yeast atones.
The accusation goes
That there is such a thing as Jewish nose.
But too, profile to choose.
The plastic surgeon has his skills, his use.
Jehovah is not mocked.
However, Jewish mothers can be shocked.
Of greed one now hears less,
Outside Islam and its contrariness,
Where usury is sin
And Israel the infidel within.
Old Europe cast us out;
What Land, what Promise for our last redoubt?
Tradition or Reform,
Mandated Palestine or Desert Storm?
Or wander as we have,
Always between the Aryan and the Slav,
Or safely, so we hope,
On you post-Christians' fraying bridge of rope
That stretches over pits
Of prejudice to pit no one admits:
Intolerance toward faith
As such. San Luis Rey that final path?

�</text>
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                    <text>Deep Structures
Too obvious to serve as archetypes,
The Ark, the wing, the wall, the tower
Compel us to identify escape
With tunneling and flight by fuel burn;
Berlin has made a wall mean not defense
But isolation. Babel…It completes
Itself each day upon the Internet.
One cannot fake the archetypal, Yeats,
Frau ohne Schatten proving all too well.
The difference between an archetype
And a cliché is this: one sorts iambs
From doggerel, or separates a theme
From variations. Bard, content yourself
With counterpoint of shifting surfaces.
The mandala will form or will not form.

�</text>
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                    <text>Death and the Merchant
I who have so avoided metaphors
As I come now to write of you and me
Face several, and all of them are true:
Appalling in their literality.
In youth I served once in a firing squad;
In middle age you travel for a firm
That sells munitions in the Middle East.
“Merchant of Death?” You, Jack? Not bloody likely,
Seeing you were all my life to me,
Or would have been, had not we each one had
So clear an eye for how to trim the sails.
But only you were Navy. I was Army-Caribbean style, a crack drill team
Conducting military funerals
In khakis smelling of the pressing iron.
I thought at that time I could bury you.
I made the effort. Given now our ages,
I begin to smell that death again.
Gardenias and Cosmoline and starch,
And gun smoke mixing ill with all of them.
So, emptying the chamber of its blanks,
That soldier of good fortune who I was
Lifts up his rifle in a mock salute
And clicks the trigger, bragging to himself
That he is done with you. But the select
Non-bullet is not silver, and you live,
If, even now, blindfolded in some ways,
To be the stock munitions baron poets
Execrate, except for this one. Not
For me will, ever, blood be on your hands,
For all it is live heart they’ve held so long.
Say that it was--is--too contained to bleed,
Or you were much too deft an Aztec priest.
Come, Baron, bargain with me. Offer me
That bold, persuasive, handsome boy you were
And see me instantly suborn a squad,
Its military, and the state itself.
Put up. I put aside my loaded threat;
I lift the blindfold from your eyes.
Look at me. Do you see a client lost,
Or stateless messenger of late reprieve?
At minimum you have to say, always,
I offered you safe conduct. Now, once more,
Go and be free, above my signature.
Cont.

Death and the Merchnt, cont.

�Zaharoff of the suburbs, mine your lawn
And trap your cars and scissor-trim your beard.
The bribe and I, in nowhere that you know,
Will have a drink or two, pick our disguise,
And slip across the border to a near,
Corrupt republic I have knowledge of.

�</text>
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                    <text>By Dona Luna, in a hooded coach.
"Good morning, Dolly. Can we hope you'll pack
And follow? In a Cleopatra barge
Or what?"
"Dugout canoe, if you are lucky.
Do you see me, Floren, with a ring
Stuck in my nose?" The Commandante Vela
Puts a polished boot upon her step
And climbs in by her. She confronts his gaze,
Averts her parasol. "Have you seen Hector?"
"No. Won't I do?"
"Only for the truth.
Is this a suicide affair?"
"Giraldo
Kill himself? Unless his bank fails, no."
"Not that quack. You and your entire command.
The expeditionary force. All them.
Jaime Laverde hasn't sense enough
To march himself out of his own front door.
That woman's made a turnip out of him"
La Luna, as emerges now and then,
Was born Sue Dolly Moon, in Galveston.
"It's all a gesture. We shall hack our way
Ten miles toward Panama and come back home.
Enough to save face; certainly no further.
With the Yankee Navy off Colon
And 'rebels' in the Bay of Panama
We have no choice but to go overland."

�"That is the densest jungle in the world.
Ten miles will be the work of twenty years.
My bank may fail."
"Fail even if you follow.
Bogata's sequestering our pay"
"And let that tell you what your chances are.
I'll miss you, Flo. Who else in Cartagena
Knows the Cakewalk. It's a jail, sometime."
"True. We are famous for our walls."
"The walls
Are wide enough for, well, streetwalking on.
It's bars on all the windows I can't stand,
It's like the lines on maps were really there.
But thicker. Like we saw just half the world."
"Not quite the way one thinks of demimonde"
It has occurred to Vela not to say."
"And got just half the breeze," says he, aloud.
"It's 1903. I ought to have Ruiz
Put down the hood and sit here in the open.
And I would, if I could stand the sun."
Defying sun, she shuts her parasol.
"If you see Hector would you tell him… Say
I've changed my mind. The money's in his name,
In Texas, in the Bank of Corpus Christi."
"Is it?"
"It will be. Ask him for me… Ask-Why are they playing Stars and Stripes Forever?"

�"Must the good tunes only be for Yankees?
Maybe it's the only march they know."

…

�</text>
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