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                    <text>Update for Francis Joseph
The quiet Danube eases past the quays
As though all meanings and all things which freight
Already had been borne away, a silt
For deltas, wreckage in the Dardanelles.
Restorers raise a time that never was,
Or ruins recent and without pathos,
As if some Japanese film studio
Put up Vienna’s separate but equal
For the reptile monster to destroy;
High octane breath on Buda, panicking
The restaurants of Pest. Or as if each
Had been constructed as the other’s folly,
Bridges in between them all their real.
What Romany the Germans did not gas
Are violinists in the restaurants.
One cannot know if Lehar stole from them
Or they from Lehar. It will be “Play, Gypsy”
When the Bomb has fallen. Centuries
Of occupation by the Ottomans
Have left at least a Turkish Bath, intact
And functioning, a Crescent on its dome.
Or is it sickle without hammer, Marx
As emblem put to rout? Crusades and creeds
Come each apart. The Double Eagle split.

�</text>
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                    <text>Unto Temptation
Why is it that the Tempter is,
Himself, so little tempting? Faust
He offered youth, and Faust in tights
To Gretchen; tavern tunes for hymns
To Luther, Jesus on the heights
The citied wealth of all the world,
Which he refused. In human form,
Thief repentant, rival choice
For the Beloved Discipleship,
Might he have scored? The cloven hoof,
Unsightly horns both miss the point.
In that they call for go-betweens:
Fruit, serpent, knowledge… One would think
That evil pure would have at least
Vain majesty and bold design:
A look of Lucifer, in shield
And shining armor. Uniforms
Are neither intervention, self,
Nor truth; are best foot forward, hoof
In cripple boot; and horned head
Fortunate Fall in Roman helm.
Hell being waterless, Narcissus'
Fate is not a threat should Vice
Give over its so frightful mien
To be seduction on its own
By virtue of a visage art
Avoids and Milton carefully
Does not describe. It speaks as might
A looking-glass. "Look at me, Cain.
You see the face of murderers
Who sleep well, certain of their course;
See, Judas, years of usury,
Yourself in the counting house.
Salt wife of Lot, see, grain by grain
Encrypted, segments of your past.
See, Herod, efficacious, praised,
The wisdom of infanticide.

�</text>
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                    <text>Der ewige Mannlicher
Any fool can see a rocket as a phallus;
To see a phallus as a prototype V-2
Is pandering to feminists, for whom, in spite
Of Mrs. Thatcher, Mrs. Gandhi, Squeaky Fromme,
And Rosa Luxemburg, all violence is male.
The City Emerald, the City on the Hill
Projected on another planet, Camelot
As reconfigured asteroid, accessible
By conquest only, wait the count that will propel
To crash their portals some eternal masculine.
Drugs, artificial gravity, and unisex
May moderate the pilgrimage of Everyman,
But colonizing Space is vanquishing Despond
Along with distance, Vanity the instrument.

�</text>
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                    <text>Uncle Wrigley
Racism being very out,
Tar-Baby must be turned about.
Equivalent in years to come,
Some sticky trap of bubble gum:
Expanding, pink. As sunburns show,
The White Man is not really so.
But just as asphalt if it’s slapped
Exacts revenge, a bubble shaped
Offends the face if it is pricked.
Wounds may exist just to be licked.
And in the licking comes the thought
That tar will burn and air will not.
Hephaestus, Remus ,chicle, tar.
That is the way that matters are.
To strike the flint and huff and puff,
Or call a truce and say enough?

�</text>
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                    <text>UNBUILT AMERICA
I
The Grand Canyon Cog Railway
From recent limestone into strata old as Earth,
The Canyon Railroad drops into geology.
Beside the donkey trails whose little burros are,
In context, moving fossils, goes the Palace Car
And its restraining engine. Taking little note
Of mesas and their misapplied Park Service names,
--Walhalla Plateau, Vishnu' s Temple, Wotan's Throne-Fred Harvey calls his halfway house exactly that.
His firm has lost the gambling franchise and the raft
Concessions to the Havasupai, although fright
And vertigo mean that for many visitors
The halfway point will be as far as they will go.
In any case, the Harvey Girls will be the sight
That most remember. Still, the engine as it climbs,
A fumarole in motion, says the Paleface too
Can signal, What the signal says is what roulette
Or rain dance says: The human scale is all of scale-Our middle distance that implies the distant rim;
The haze of hope and chance beyond the odds and gods.
II
The Outer Banks Expressway
Untested so far by a major hurricane,
The highway cuts the driving time from Maryland
To Florida by half a day. For vehicles
An equal of the Intracoastal Waterway;
For inshore populations an equivalent
Of Holland's North Sea Barrier. At Kitty Hawk
And Hatteras, at Ocracoke and Cape Lookout,
High rises are as prevalent, as Arab-owned,
As on South Padre Island: OPEC on the dunes.
The monument to Orville and to Wilbur, huge,
And facing inappropriately with the wind,
Makes take-off seem a hopeless concept. Who, en route
Along the stormy capes, does not respect the air,
However conquered, or the sea, however salt
Or freshened, or that fire the emirates purvey?
Earth, no, it being too much what we make of it.

III

�The Muir Woods Grand Prix
The thirty largest redwoods have been tunneled through;
The racecourse figure-eights among them. Single file,
Hell's Angels, to a flap of Condors and the hoots
Of Spotted Owls, lead off the opening parade.
Although spectators have traditionally arrived
Days in advance, to put treehouses up, whose sites
Permit a better view, this practice has been banned,
As playing Tarzan, or, ineptly, going ape,
Has been responsible for some fatalities.
A children's Hug-the-Tree Contest awards a prize
For any smallest group that can surround a trunk,
And California's largest wooden Indian,
"Sequoiaquatch," a carving from a single tree,
Can be appreciated for a modest charge.
Monoxide, fog, and vapors recreational
Hang in the sounding air. Would these have been the rites
Of Druids had the chainsaw been available,
And cannabis about instead of mistletoe?

�</text>
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                    <text>Trumpet Involuntary
Ear trumpet, trumpet vine, the Trump of Doom, The Trumpet-Major.
Cornets do not seem to pick up phrases. Has your pager
Echoes of a Hardy novel, or invisible new Sony
Hearing aid suggestions of the offstage acrimony
That in Strauss's Heldenleben sounds the call to battle?
Unnamed blossoms have, like brasses, bells and throats, but that'll
Not admit them to the phrasing. Range of notes more frugal,
Gabriel would be less threatening with just a bugle.
Cornet being a lieutenant and as well our poem's topic,
Cornet-Major could not well be any Thomas Hardy epic.
Every text today is said to have a subtext. Muted,
Trumpets say that Judgment Day's effects can be disputed.
.

�</text>
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                    <text>Triage
The duties of the Fates
Need not have been divided.
No principle dictates
Or trade guild has decided
That to spin, to measure,
Cut, cannot be done
As piece work or at leisure
By one and only one.
Bureaucracy on high,
Do gods distribute guilt
The better to deny?
Olympus is not felt
To be the site of shears,
So able seem the great
At covering their rears.
And sometime in the wait
Between the Old and New
(Two Testaments) to be
Safe, did not You-Know-Who
Become a One-in-Three?

�</text>
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                    <text>On Not Developing the Site
Against the chaos as the tower crashes,
Like the mocking skyline of a time
Whose architecture speaks the confidence
Of pre-Depression fantasies-- its chrome,
Its angularity, its pinnacles-Those last expressions of America
As guiltless in its eagerness for height
Look southward from their ambience to ours.
As foreground to the pillars dust by day
That follow on the fire of Babel fallen
They beckon back, if not to innocence,
To absence of self-doubt. No topless tower
Was built by any Ilium whose sights
Were on its underclass; that valued space;
That sounded fanfares for the common man.
Encumbered by restraints, for all their height
Our topped-off eminences do not soar.
Now clearing, on the web that is their wreck,
A terror's white dust darkens, and to find
Again the Midtown visions gone before,
Imagine through a sandstorm a Dubai
In competition with its own mirage:
High rise the manifested destiny
Of emirates. If in the West we reach
No longer for the clouds to stretch the reach
Of Mammon, in the nations East, their tongues
Already sore confused, the old appeal
Of "Let us build a city and a tower,
That we be not scattered on the Earth"
Brings back that future Deco has not had.

..

�</text>
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                    <text>To Accompany
a Smithsonian Guidebook
More like a black hole diagrammed
Than like a jewel in its setting,
Bounded by its smaller stones,
The great Hope Blue collects the light,
A carbon cosmos much accursed.
For who possess it, for their time,
The void it is and it conceals
Receives all hurt, all loss, all blame,
To compromise the rationale,
The sage advice, “Curse God and die.”
Perverse, though, that indulgences
Should come in carats, and their cut
Buy off from blasphemy. For such
As have not mineral excuse
The blame is bad luck merely, borne
As best it may be. Physicist
Or exorcist, who most can probe
The emptiness, the blue abyss
Where matter ends? The space, the dark
Death advertises, centers, is.

�</text>
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                    <text>Thirty Pieces of Silver
Is Not What It Used To Be
"You shall not crucify Mankind
Upon a cross of gold."
Old Fraud,
On what else then? The crosses thieves
Have to the right and left made sites
Suggesting Henry Ford and Marx?
Impetuously driving out
The money changers purifies
A temple, but it frees a way
For counterfeiters, and their best
Device, a paper currency,
An ultimate in counterfeit.
Press down the crown of thorns, that is,
Manipulate rates of exchange
In Rome or in Gethsemane
And price may hint Iscariot
Took up the noose not out of guilt
But anguish as his fee declined.

�</text>
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