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                    <text>Things Go Better with Industrial Espionage
From the first
The answer has been staring at us
In the nature of the origins:
It started as a syrup.
And the fact
From early on it served in rum drinks
Also might have given us a clue.
The closeness is suspicious.
Mystery
Inside a wall-safe in Atlanta-Not cocaine, safe-crackers; sugar cane:
Molasses is its secret;
Sorghum, say.
A hint of Indies in the flavor;
Rumor of the Andes in the “kick.”
Not medicine; still, patent.

�</text>
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                    <text>The View from the Prompter’s Box
Stage miracles are preferable to none,
And Little Eva on piano wire
Ascending in Heaven would have been,
In septic worlds where children died a lot,
Assurance of a sort. Bright wounds that bleed
And weeping, weeping virgins; body parts
Of useful saints that spring on cue to life,
Before the footlights as behind, betray,
As any objects of credulity
Betray by simple objectivity
Seen close enough in lighting strong enough.
It does not take a Marxist expose
Of murdered pregnant nuns to create doubt,
And if today the stage is more inclined
To credit Uncle Tom with sanctity
Than Eva, all that means is, guilt is in
And golden curls are out. But who can say
That Black is not blackface a bit whitewashed,
False pregnancies not prevalent in nuns.

�</text>
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                    <text>The Song of Bernadotte,
or,
Trashing Scandinavian Modern

Recessive in its reach of guarding waters,
Stockholm prospers in self-serving peace.
If it has guilts, its surging suicides
May not exclusively from them derive.
There are the winters, tax indexing, Strindberg.
Neutral through two wars, though not, perhaps,
So neutral as all that--as corridor
For German troop trains Sweden profited,
Its biases discreetly processed now
Through Nobel prizes (as in dynamite
The nitroglycerin is buffered). Proud,
Not to say arrogant, this city might
Be built to lord it over Finns and Danes.
A bit of plush and grandeur, as to say
Uncluttered “good design” is very well,
But even Viking ships had ornaments
Upon the prow, and Barcelona chairs
Are comfortable compared to Swedish kinds.
Nor is this yet the Kingdom Peaceable.
In tunnels blasted in the granite cliffs
(We thank you once again, Mein Herr Nobel)
Are bases for a fleet of submarines
Still in commission, and the ferries go
How many times a day? Outside the reach
Of liquor laws. A Carrie Nation nation,
Yes, and Lizzie Borden dairy farm.
How many of those suicides do you think are?

�</text>
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                    <text>The Rimer Unrhymed
As if they were successive doves
Sent off the Ark, or one-way loaves
Cast on the waters, targeted
Clay pigeons of the skeet-shoot spring
In sequence from the cruise ship stern,
To shatter with the shot, or spin
Away like UFOs pre-shrunk.
One marksman, as the liner rolls,
Does not quite miss, but puts a nick
Upon the rim as if to track
The wounded clay another year.
Another afternoon, and, drink
In hand beside me at the bar,
He says "I've dreamed of it, you know."
"It?"
"Missing that shot. I dream
My pigeon with the nick's still there.
Behind us. Following. No spin;
Just hovering." Traditional
For cruises, there's an AA group
On board. He, so far as I know,
Does not belong, so I can say,
Without a loss of tact, "Your shrink
Might tell you it's a giant AlkaSeltzer tablet in the sky."
He's not just any passenger;
He's a supply side lecturer.
Our cruise director hired him on
To sell the trip to MBAs.
Days later he's still on the dream,
Regaling luncheon mates with new
Additions. "It can read the waves
And troughs like missiles. Exocets."
His dinner table has, or says
It has, no English, and is spared.

Apparently the lectures, well
Attended, did not go too well.
In trying to explain his graphs
He more than once would blank quite out.
"The pie-shaped," may informant says,
Were all beyond him. He had Art
A bigger slice of GNP
Than Health Care. That's what got him fired
From Ross Perot's campaign. Too small
A pie for all his slices. Ross
Can add. He found one of the charts
Had circles with degrees enough

�To institute a whole New Math."
Do crossword puzzles often bring
Out premonitions? Mine would have,
Had I not thought that 8 Across -"Bird of mixed omen" -- came out if Poe.
The metaphor around our necks
Was hinted at us all too clear
Off Capri, at the pool buffet,
When -- Who? The under pastry chef? -In an access of pride held up
For him we called the Circle Jerk
To see, a 12 inch pizza, one
Slice missing. Bounding over trays,
Steam tables, juice dispensers, Tums,
He slapped into the hired help's face
Salami, cheese, ripe olives, all.
The Keystone Cops and custard pies
Outdone. A melted cheese will stick.
He then leaps off the fantail ropes,
To be rescued by bus boys, me,
And some Long Island gigolo.
If you prefer, "dance host." At once
Reversing to assist rescue,
Our port propeller threw a blade.
Jerk, when I disembarked at Nice,
Was still deep under lithium
In Sick Bay, with the pastry chef
Beside him. For heroic acts
I have been offered ten per cent
Discounts on future passages.
One does not have to be at sea
To trap shoot. I at Hilton Head
Sometime let fly. Once, in the Club,
Upon the dart board, unrepaired,
I noticed an omitted arc
Of thirty-odd degrees. And back
From all the years since 8 Across
Came "Albatross." I leave, if not
A sadder, wiser man, one sure
Of Albatross as archetype,
And certain of how sound advice
Is "Let the circle be unbroken."

�</text>
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                    <text>The P.O. in the Castro
You will not have to stand in queues;
There will not be a madding crowd.
Our homefolk need not wait for news.
We send no letters. We are proud
We cast them off by coming here.
Our cell phone calls are largely local;
Their billing, though, is no small beer,
For we are nothing if not vocal.
It’s well behind, that life of porn
In plain manila envelopes.
And one out here can be reborn
As porn himself. A while, one hopes.
Not everything, of course, works out.
Hustlers in time seem merely tramps;
A small town’s walls still close about:
No exit. But we save on stamps.

�</text>
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                    <text>The Last Villainous Half-Breed
Had I been crossed with the distrusted other
Half, I might have been successful rather:
Chink Apache, Spic Canuck…As queues
On scalps would find a gory pull-chain use
And Mariachi bands aid Alouette-It needs it--either I’d have been the dread
Physician Fu Manchu, or--say they cancel,
Ethnic evils--Brit Mahatma. Hansel,
Gretl, folklore, pulp, as two stock figures
Underneath the cuckoo are the augurs
Telling weather, so Louis Riel
Moves in an out of time as outlawed ill
Luck of the Royal Mounted or the preMandela of a free Quebec. Mainstay
Of penny dreadfuls and the comic strips’
Unfailing fodder, are these archetypes
Stereotypes too idly unopposed
Or, ineradicable, holocaust
Incitements? Race is profile too pronounced.
In that sense what Full Blood was ever lynched
For nothing? Once the Sons of Adam split,
The Mark of Cain is what one makes of it.

�</text>
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                    <text>The Last Tauber-Lied
Budapest
Faint planets in the colors of the flesh,
Outdoor café lights, rose and peach and gold,
String over us a solar system near,
Yet hazy in its clouding space of trees;
And as the padded hammer heads are round
That strike the cimbalom, and as the bows
Of café violins are comet hair,
The music, one could say, is of the spheres.
Its Gypsy violinists, each, are of the Earth:
Hard forearm in the shining satin sleeve;
Blood down the ear lobe where the earring tears.
Note how the chin rest calluses the jaw.
Guttering in its tulip chimney, fire
To warm the nostril, hot wax on the skin,
The candle on the table blinds the palm
Of the poseur whose two Gauloises it lights;
Confounds the palmist. Seer, see yourself.
Old Europe, operetta to the last,
Turns its blind eye; and, marginal as you,
Looks for its future to the leaves of tea
And for its luck to who may stack the cards.
The fiddler’s genitals show in his tights.
Minorities are known for lust, for dirt,
As well as for their rhythm. Gypsy, play.

�</text>
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                    <text>For Subway Alumni
Before it was a giant tuning fork
A football goalpost was the letter H.
The tuning fork, resistant to the torque
Of those who would uproot it, by such nature
Catholic, now stands as less a gate
To post-game revelry than some rebuke
For off-key band selections. At this late
Date, hardly a reminder ukulele,
Prayer, raccoon coat, and flask meant, once,
God's Big Game Day. It sounds its massive A
As soundless visual, and any dunce
Can see the tone deaf Yuppie crowd's impatience
To get back to the parking lot first out.
Do roofs and domes--The Astro- Thunder- Super- -Betray the cult of Rockne and the Grouper
(Gipper?) and the locker room cursed out
At halftime in a phony Irish brogue
That was the cult's whitewashing in advance
Of priests molesting and of Church finance,
And jocks who can, like elephants, be rogue?

�</text>
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                    <text>The Last Porn Star
The virtual has out-performed me.
Exertion of my parts deformed me.
Organic diet has reformed me.
Food raised in nature’s own bird droppings
From Easter Island rock outcroppings,
With queen bee jelly cells for toppings.
In youth I was a virtuoso;
In middle age no more than so so.
My co-stars thought so; now I know so.
Home movies, video camcorders…
The squares were pushing out the borders.
I gave myself my marching orders.
An implant might have kept me going
Some few more years, but always rowing
Upstream. I chose full stop to slowing.
Programmers replicate the motions,
Augment the time scale. Sicker notions
Also they add. Perverse love potions,
As one might think of them. But human
Responses too are programmed. Showman
Or amateur, top man or low man
On the totem pole in orgies
Or poor fool waiting at the edges,
There is a limit set to urges.
Warm bodies or computer graphics,
Straights, gays, bi-sexuals or Sapphics,
It is with pre-set hopes one traffics.
Who, reconfigured by the tonic
Force of steroids, electronic
Feedback, will--tongue-tied, moronic-Be Porn’s first star of the bionic?

�</text>
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                    <text>The Last Newsboy
Not all of us grew up to be Irving Berlin.
There is not space to list the prisons we are in.
Pickpockets, hustlers, dealers, we became that news
We sold, if on the inside pages. Poor excuse
For urchin enterprise the vending that replaced.
A coin box is a generation gone to waste
And cannot give out change. Too often vandalized
To turn a profit, it becomes a recognized
Icon of inner city wreck, as in the past
We stood for rising expectations, if, at last
Our cry of “Extra!” covered the laments of lack.
The newsboy as the Chaplin Kid will not be back,
Having become decades ago the Dead End Kids
And then the Chaplin Tramp unfunny on the skids,
As now newspapers are. As AP, UP ebb,
Ex-buyer on my corner, see you on the web.

�</text>
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