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                    <text>Tectonics of the Dessert Plate
I have lifelong friend who is, at fifty-nine-Hope springs eternal--grimly social climbing still.
"You've gotten where you're going to get," I tell him. Where
Can still be vague: a Cincinnati upper crust
By now, but on its sticky underside. A week
Before my visit comes the briefing. "Rent a tux,"
He telephones. "It's black tie at the Loridans"."
As frequent visitor I am an ornament
Or an embarrassment, depending on which rung
He's trying for. The Loridans cannot be much.
"And if you have long underwear bring it along.
They keep the house at fifty." As the climb works out,
The one tuxedo in the dining room is his.
The Loridans assume, correctly, we aren't much.
Our host has on a suit and sweater, as have I.
Lap robes would be appropriate. The granite house
Has twenty-seven rooms, each colder than the next,
None colder than our food. "We've thought about gas logs,"
Says Mrs. Loridans, "but we so love the fire."
Electric warming trays are not some counterfeit
Of chafing dishes, I might add, but hold my peace.
Madame turns vicious. "My, how formal we've become."
"The University Yearbook. I'm O.D.K.
Adviser. We posed for the photographs today."
"And then he had to meet my plane," I volunteer.
So deft a lie impresses. It deserves support.
Two caterers who cannot know qualude from quail
Cut up a baked Alaska. Plate tectonics shift.
The ice-cream core has melted; its meringue is cold.
...
My Fourth of July briefing is elaborate.
"You'll like the two Crevecoeurs. Baudoin if not La Mere.
It's her I got that '67 Fleetwood from."
Upgrading golden oldies is a form of climb.
"Eve almost counts as Taft. Jilted the Senator.
Work on your liver. They both drink a lot." They look
Echt Deutsch. French names in Cincinnati, I conclude,
Are like White servants on the Rand: one-up in chic.
I need not say that the famille Crevecoeur outdoes.
They have an old Black butler shakier than they,
A last survivor of the Underground Railroad,
Who is introduced, I swear, as "Uber Oberrein."
I need a hearing aid. At Christmas I find out,
When the Adviser tries to hire him for an Ho
D.K. festivity, Herr Uber's name in fact
Is Heber O'Brien. All the food he trolleys out,
At seven minutes after midnight, looks superb,

�But after six Manhattans, we forget to eat.
Baudoin, he says himself, must drink to ease the pain
Of his arthritis. Mother simply drinks. Or drinks
Because her four-door Cadillac went for a steal.
They have a
riverfront apartment, double-glazed,
But in the blazing July heat, greenhouse effect,
And rendered awkward in the sunken living room
By countersunk Jacuzzis. For the pain also,
I have no doubt. In one of them champagne is chilling.
...
"The Mengeldorffs are lovely people."
"Let me guess.
Alsace-Lorraine."
"Shut up. I work with Muniment
On this year's Maifest Board."
"I'll rent a full dress suit."
"There's something else you ought to know. They have this child
Who's terribly retarded. Classic Downs Syndrome."
"Oh dear. Is white tie adequate? I mean…to meet
Society's most fashionable mongoloid…"
"He has his own staff, Bitch. His own part of the house."
...
That may well be; mainstreaming, though, is more "in" still.
So, in a handsome Spanish house--it seems displaced
From Montecito or Pacific Palisades-Next to his plastic surgeon, who now makes a guest,
And opposite his staff, whose name is Rosa Mae,
I brave a musicale with Cincinnati's--be
Assured--most eye-corrected mongoloid. As ice
And melon balls are passed about, he does not drool,
Although his keeper does. She has no upper teeth.
He also wields a spoon more gracefully than she.
Such is the expertise of private schools nearby.
His father, Viktor Mengeldorff, at one of two
Steinways, below a portrait and an autograph
Of Richard Strauss, the which I covet, for four hands
Does Mendelssohn. The other hands are Monument's
If she is anyone it is Mama Dionne.
Women who bring forth monsters tend to look alike,
However differing in skill their corseteers.
Her husband has, as we should delicately say,
Re-stated his financial picture. He is broke.
"Tonight's a sort of yard sale," he confesses. "Who'll
Make me an offer on one Steinway and a Strauss?"
I would, except that from my rear a kick arrives,
To say the joke is absit omen. Who can read

�Downfall more surely than a social Alpinist?
I am myself quite at my peak of form. I am
Outfitted in a full dress suit, and not from some prom
Supplier, either. It is borrowed from the high
Man on the totem pole, the Maypole, if you like,.
Whose capabilities I underestimate:
May Festival from O.D.K. is quantum leap.
The upgrade in my formal wear is not my choice.
At lunch the Crevecoeur butler shook a lemon mousse
Upon my only suit. Now, deal with Mengeldorff.
"I'll buy the house," I joke, " and move it stone by stone
To Carmel Highlands. You must code the pieces, though."
I have upon my left hand Madeleine Loridans.
"That's not a proper chimney," she is whispering.
"It's just a flue encased. It doesn't even smoke."

�</text>
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                    <text>Tangling with Tanglewood
Aaron Copland's Fanfare for the Common Man
Might well have served to open the Berlin Olympics;
His Americana make "Home on the Range"
Sound like authentic Folk, as Appalachian Spring
Is Grand Old Opry for Parisians and "les six."
His take on "Shall We Gather at the River" works,
But does the fine old hymn tune really need his help?
Muzak to bury third-rate politicians by,
Barber's Adagio for Strings cries out for brass.
George Gershwin had his limitations: those few blocks
Of Tin Pan Alley. Ira was the genius.
Herbert was Irish; Phillip Glass? Space Alien.
Scott Joplin "ethnic"; Sousa ethnic Portuguese.
There are just two "Americans" worth listening to.:
One of them Erich Wolfgang Korngold, one Kurt Weill.

�</text>
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                    <text>The Tailor of the Buddha
In Jackson in the fifties, last
Ongoing present of that South
Before its future tense sets in,
My tailor is a man-and-wife
Who, being Black, employ a White
Of unknown provenance--Beirut?-As front. Extrapolating this
From vague endorsements on my checks
I smugly and for years assume
No one but me has figured out.
The bold deceit is blocks away
From Mississippi's capitol,
Whose poorhouse of a legislature
Once a year to buy one suit,
Comes in to face a tape, chalk, pins.
Of one such house star graduate,
The U.S. Senate's Chair Pro Tem,
J.O. "The Buddha" Eastland--whom
I recognize, alas, too well,
My mother having been with him
From kindergarten days per du-As a processional of one
Advances toward the books of swatches.
Measuring the eightfold waist
Demands a Levantine discretion.
From a quite large fitting room
Protuberant, the Senator
Sighs, puts his pants back on, and buys.
Once Spiro Agnew's been cashiered,
This man is one heartbeat away
From you know where. He knows, of course
He knows, who owns this tailor shop,
And so does every other pol.
The old art of the possible
Is that too of the blind eye turned,
And in good time, in Washington,
To front the session's opening,
On camera--behind the Mace,
As one might say--the Buddha comes,
Outfitted in concealing cloth
Whose origins I wholly know.
The worst of it? He might have been
Among our better presidents.
A comment on the going cut?

�</text>
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                    <text>Tadzio in Trieste
If I’m pursued, I know it.
Pursuers always show it.
But why hold back, Signore?
Too proud to make your foray?
Our wide canal’s not Venice;
Minors here aren’t menace.
Suppliers, rather, suited
To a city bruited
To be Hanseatic
On the Adriatic;
Be--as who knows who says-“Third entrance to the Suez.”
If Port Said’s the standard,
Local vice is slandered.
Promise, though, is present
In each pre-adolescent.
It’s an art, my saunter.
Offer; I will counter.
We have no loincloth Lido,
But neither, plague’s mosquito.
Enjoy your stay, Magician.
You chase an ideal vision,
But living pre-teens fret you.
Felix Krull will get you.

�</text>
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                    <text>After NAFTA
Tacoma Narrows or San Luis Rey,
A bridge collapse is Fate's unsubtle way
Of hinting that what God has left asunder
Man ought not join together. Little wonder
The nations that have stable borders verge
On natural divides. The granite gorge
Below Niagara, the salt lagoons
Along the Rio Grande.
Brass spitoons
In Skagway, furs along the farther shore…
A bartering by kayak would do more
For locals--think: Manhattan bought for beads-Than bridging Bering Strait. What Free Trade needs
Is not access but trappers and a vice,
Chewing tobacco. Connection has its price;
A compromise might be a ferry line.
If not an option for Peru and vine.
Expectorate, exporter. Do your bit.
Protect protectionism. Lots of spit
And polish on the ferries we permit.

�</text>
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                    <text>Tables of Law
In Abyssinia the Ark
(Not Noah’s; of the Covenant)
Has been assigned a guardian.
The Ark is at Axum, brought there
By partisans of Sheba. Blind-Although not stricken blind; just old-That guardian cannot describe
The tablets, or, indeed, be sure
If they are there. The guarded church
(No, not a tabernacle), chaste
And square, is carved of living rock.
A Coptic mockery of Jews,
Its dust and distance, negritude,
Do not attract the Blood Savoy
As did the Turin Shroud. Upkeep,
However, Addis Ababa
(Which did attract the Royal House)
From time to time contributes to.
Dividing sea forever closed
And pharaonic threat dispersed,
The pillars twain, the cloud by day,
The fire by night, go on no more,
Think not that from this wilderness
An Ark or people can be led.
Defining texts, on stone, on gold,
As Judah’s place is by the Lion,
Wherever honored, have their site.
Once who is guardian is gone,
The lightnings and the vengeance mute,
Bright seraphim untrumpeted,
Commandments unrevealed by Braille
And crystal lenses nowhere kept,
If we draw near the vessel lost
How can we sense that we profane?
Sinai, Salt Lake, is this the place?

�</text>
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                    <text>Strictures of the Floating World
Had Haussmann had bulldozers, what would Paris be?
Would Paris be, or, crowded out by boulevards
Adjoining curb to curb, as if time after time
To prove that parallels will never meet, exist
As if a frozen lava flow. The Baron, were
He under contract to restore New Orleans,
Undoubtedly would have it Venice of the Dredge;
Of channels centering at Bourbon and Toulouse,
On where the Opera, to its pre-fire design,
Will be rebuilt. And to his deep wide channels come,
Full force, mosquitoes, Cajun pirogues, river boat
Casinos moved on paddle wheels, and Dixieland
Musicians pulling up beside the foreign yachts
Like flower sellers on their Xochimilco rafts,
Or Little Buttercup in blackface. Would a new
Director of the Theatre--Reynaldo Hahn,
Say--dare produce Herodiade, another tale
Of province by empire betrayed? First, edit out
That recitative beginning Dors, cite perverse?

�</text>
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                    <text>Stick to the Devil You Know
What the success of Cortez tells us is how much
The other Indians detested Aztecs. Hate
Of vassals for the overlords, of priest for priest,
The Corn God for the Sun God, province for the Crown.
As if space aliens should land an be embraced,
The Spaniards and their horses, cashing in on myth,
Enable the revolt. False centaurs, true false gods,
First of a line that brings us now the IMF,
Hard after Marx and Trotsky. Montezuma’s feet
Investors by and by will hold to fiscal fire,
To have as their return, if nothing else, a place
As cartoon financiers in public-funded art.
If Maximilian had kept in place his rule
There might be slaves in chains, but fewer murals. Force
Of habit means that Revolution and the Church
Enjoy lip service equally, as if revered
Like either head of some surviving Habsburg crest,
Or eagle and the snake of the Republic’s flag,
Whose contest long ago declined into a draw,
A state of pure disinterest, a Mexico
So far from God, so close to Zurich and the gnomes.

�</text>
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                    <text>Of the poems I like “On the Playground” best. The snowball is fully realized.; the soot
removes it instantly from Robert Frost country. I can never keep it straight which
is Bierstadt and which is Thomas Moran, although I like both. A couple of Bierstadts-or Morans--are in the Timkin Museum in San Diego. The landscape is Yosemite, in a
golden light I never saw there, but tourist posters must be allowed license. In the poem
“purple marbled meat” is so startling it should perhaps come toward the end, so as not
to make what follows anti-climactic. In what sense ‘fare’ in cloud-fare? Croquet and
Oakland Cemetery seem to me so much of the same period I would make more of the
game and less of the other details. Wickets as “little headstones of air” is wonderful,
although perhaps too ingenious for most readers. In Noah’s flood I would replace
or omit the fencepost, as too un-Middle Eastern. If you are going to include a parrot
I think you should also include the dove. One might work up and interesting contrast.
This afternoon I am off to see the new Bruce Willis movie, “Sin City”, said to be
based on a graphic novel, I.e. comic book, produced, I.e. the comic book, as a tribute
to film noir. Talk about aesthetic distance…

�</text>
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                    <text>Stars and Stripes
Alaska and Hawaii have
Their virtues, although not as stars.
The rigid field of forty-eight
Somehow more satisfied, as if
All fifty, in their rows offset,
Their parallax of politics
As flag for astigmatic time
Set eyes on edge as teeth are set.
New Mexico in 1912
And Arizona after that
Did not create the disarray
Our Civil War did, in the Bars
And Stars, at least. The Union Flag
Depicted its eleven out
As if they shone and still were in..
Assuming, say, Ontario,
To spite Quebec, proclaimed itself
A fourteenth colony new found,
Could Betsy Ross's daughters cope?
Completely. Middle age consists
Of slicing thinner what is thin.

�</text>
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                <text>Cassity, Turner.</text>
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