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                    <text>Do Not Gamble in the Service Club
Combat for you and garrison for me.
We drink to orders disparate as we.
“I knew that first time when I saw you, Ace,
You’d be the one with all the luck. In case
Not much rubs off, well, it was fun to rub.”
And I Diogenes crawl in my tub
Before the honest envy of the born to lose
In presence of the uses of the born to use..
Of late I am grown beery-honest too.
In thirty years I have not thought of you,
And least of all in those December days
On board my troopship, in a tropic haze.
No doubt in the assignment you were in
The haze of luck you had from me wore thin.
If you were killed, and mostly you born losers are,
It was in snow. If not, you’ve found a wrinkle bar.
I still spend New Year’s in the sun. My luck has held.
The islands where I soldiered see me now well-heeled.
I even play roulette sometime. And if
I lose is that your hold on me? Your gift?
A double zero to remind the hedger
All bets are off, and he the wager.
A pang--it is not conscience--late but run amok;
A little taste of ashes, on the lips of luck.

�</text>
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                    <text>Do Not Gamble in the Service Club
Combat for you and garrison for me.
We drink to orders disparate as we.
“I knew that first time when I swa you, Ace,
You’d be the one with all the luck. In case
Not much rubs off, well, it was fun to rub.”
And I Diogenes crawl in my tub
Before the honest envy of the born to lost
In presence of the uses of the born to use..
Of late I am grown beery-honest too.
In thirty years I have not thought of you,
And least of all in those December days
On board my troopship, in a tropic haze.
No doubt in the assignment you were in
The haze of luck you had from me wore thin.
If you were killed, and mostly you born losers are,
It was in snow. If not, you’ve found a wrinkle bar.
I still spend New Year’s in the sun. My luck has held.
The islands where I soldiered see me now well- heeled.
I even play roulette sometime. And if
I lose is that your hold on me? Your gift?
A double zero to remind the hedger
Every bet is off, and he the wager.
A pang--it is not conscience--late but run amok;
A little taste of ashes, on the lips of luck.

�</text>
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                    <text>Double Dutch
I had no thought of being faithful unto death;
It rather looks as though I shall be.
Back on the other side of that aggressive myth
Maturity, in what is, or may well be,
A young man’s only wise investment--misspent youth-I was in love with you.
Not myth, my ever prime blue chip, but simple truth,
And why I’m well-to-do.
We never got it quite together, our joint act,
And being what we were, how could we?
I make a least concession? You stoop to a pact?
We’d not have made a pair. Or would we?
I at least have kept the Dutchman’s curse intact,
And at fixed interval,
Come, as it were, ashore, preparing to extract,
But reinvesting all.

�</text>
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                    <text>Down There on a Visit
Particle physics makes the angels on the heads of pins
Seem realistic. Saints themselves would blush to add up quarks.
The indivisible eludes us, and behind the spin
Of matter lies the paradox of Zeno, threatening
That motion is impossible. It is, or is at least
So circular as not to get us anywhere. How else
Account for the expanding and contracting universe,
Degrees of void, pre-Time, and limits of infinity?
Electron, proton, prion… thence to oxymoron, no?
At astronomic cost in grantsmanship and lobbying
Super colliders model, on a sub-atomic scale,
The pharaonic and improbably colliding worlds
Of Dr. Velikovsky, whom collision profited.
We have entrapped ourselves in bonds where all experiments
Are thought experiments. So too were Zeno’s, only his
Were frankly so. Forever motionless in its one space
Hangs--helpless to traverse in finite time its thought-out course
Of infinite divisions--physics’ arrow. Out of reach
The turtle, and Achilles still behind. The bang was big;
The crunch is coming; science squints. Hair-splitting cracks its lens.

�</text>
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                    <text>Drama
The medium that one would say describes us most
Describes us least. Not that its failure should surprise.
No fact misrepresents us more than our own speech.,
And body language lies as well, except, perhaps,
In sleep. In sports you see the well paid diction coach
Of body language, as on stage its prompter's skills.
Hailed in its early decades as the flagship work
Of realism, Gorkii's Iceman Cometh (No;
That can't be right; or as to source is so dead right
As to embarrass) seems today much stagier
Than Scribe and Dumas. Only for a year or two
Does dialogue convince. The rest is silence? Not.
It's our own idioms gone out of currency..

�</text>
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                    <text>Draw Your Own Comic Strip
One cannot fancy Terry (of the Pirates) in the Peace Corps,
Except, perhaps, as Space Cadet on loan from some Lend-Lease Corps.
Good works are not adventure, Third World not the same as China:
Adventuresses foreign as Victoria Regina
To feminists becoming more or less the Dragon Lady.
The Zeitgeist is as anti-action as the Gun Law's Brady.
One might attack it, were he snide enough, and crudely canny,
As FDR was set upon by Little Orphan Annie.
For hero, a Lt. Brugge, Belgian, but a Fleming.
No spinoff of Detective Poirot. Old scar tissue, stemming
From knife fights, lends him aspect of a fencing-student Junker.
Employee of the Congo Free State, he's a strong debunker
Of missionaries. Further, he can blackmail Roger Casement
By way of photographs safe in an Antwerp basement.
The Consul planned to have those diaries fully illustrated;
His model, tortured, told; the Free State had them confiscated.
Our hero fought the Congo Arabs, ending Moslem slaving.
Two slaves he has himself. One spies for him; one does his shaving.
Love interest? At home on leave the dangerous enjoyment
Of Leopold's young mistress. She secured him his employment.
On station his enjoyments are quite other: killing tuskers
For ivory, or trapping coastal tribes to sell as lascars.
Watussi, pygmies, cannibals, Ubangi. Presto-Change-O,
And they are cartoon minstrels strumming on an inked-in banjo.
Fans, send to the above address one chopped-off native digit,
And we'll send back Lt. Brugge's brand-a-native widget.

�</text>
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                    <text>Dry Guillotine
The rocket Ariane lifts off in French Guiana,
Payload augmented by the latitude,
And that is just as well, if to increase its freight
One adds those who might once have seen it fire.
It is a last escape-kite, bold if much too late,
For both the Devil and his Islanders.
Back to his home black hole the one, to freest space
Each who was prisoner: the murderer,
Child murderer, wife killer, murderer for pay.
To lovely orbit bears the rocket those.
Or, better still, incinerates them as it goes.

�</text>
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                    <text>Waiting for a Durbar
The Voortrekker Monument
1967
If what we call the Cullinan,
The world's immensest diamond,
Is by the nature of its form,
Its crystal structure, only part
Of some still larger diamond
As yet unfound, have we some cause,
At this late date, to search it out?
Discretion is today the gem
Of dynasties, whose mistresses
Are not what once they were. What is
What once it was, Pretoria,
Would never waive the export ban,
However grim the deficit.
Create therefore a crown to wait?
For all those Indian Army colonels
Beached in Pietermartizburg,
Of their Dominion Capricorn
Some final Crown Imperial?
Captive across the passes, held
Beneath the granite oculus,
Voortrekker Heights' echoing dome,
As in a Boere baldachin,
Eight thousand carats catch the sun:
On tripod of the Rand's own gold,
Unfueled, white, eternal flame-The mandate of the Volk expressed;
Long epic shrunken to a stone.
The empty setting in Natal,
The arches and the cross of pearl,
Make mockery of House and Mace
As patently as of a Crown.
Back to an earth contended long
Let drop the carbon; part and part
One jewel, out of light in dark;
Out, out of envy, in a clay
No fire comes to a second time,
Though every dominion burn.
The great volcanic throat, the mine
Which it encloses, contradict.
Their sky is red; their clay is blue.

��</text>
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                    <text>East Bank, West Bank
The double line of life,
Cliff-paralleling green,
Accompanies the Nile,
As, flood on flood,
Dark loam puts down the years.
Exactly as if ink
On maps brushed-in its way,
Thin Egypt courses north.
At river level, cliff,
Cane, sky. No sight of sand
Low in between. Buff haze
At the horizon, grit
On cottons which we buy,
Insinuate alone
How near the desert is.
Some five millennia
Know how to fight it off:
Fruit in the mouth alive
And on the tongue at death
The quenching, everlasting myrrh.

�</text>
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                    <text>East of Stockholm
The great oil fields at Baku were developed
by the brother of Alfred Nobel, and along
with explosives, the source of much of
his wealth.
--A History of the Prize

Imams and pipelines, mosques in petrol smells.
If it's a khanate, it's the two Nobels'.
If dynamite sent Alfred into guilt,
Oil lubricated any pang he felt
Investing in his brother's drilling rigs.
The Prizes are increased as each reneges
On options to investors, Swede or Rus.
Islam and Marx, White Russians on the loose,
And still the deep wells pump, if deeper now
Below the Caspian. How rescue, how
Preserve beluga from the taste of crude?
Or from the charge of too much attitude
Such banqueters as scorn a caviar.
Mandela, Carter, you are what you are
By virtue of a trio you deplore:
Exxon, BP, and Shell, the firm offshore
Supports of peace and poets, science, war;
Depositors of a La Brea tar
From Azerbaijan: a pit of bones and names
To mock the founding father's lofty aims,
As Ibsen, Conrad, Tolstoy are not there.
And Nelson, Jimmy, with whom do you share?
The less than populist Sadat (Anwar)?
Menachem Begin, Stern Gang superstar?

�</text>
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