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                    <text>Wrecking the Trekkies
More rapidly, somehow, than time-warp would account for,
The look of Star Trek ages. Is there not a fount for-Fountain of youth for--Captain Kirk in ski pajamas,
Or Bones in all that mousse? Wigs; TV dioramas
Depicting on the cheap the cosmic outer reaches
Where none has gone before? As retrograde as leeches
Are to health care are the settings now to science
The Enterprise? A bakelite household appliance.
Low tech solutions for the actors: add a gusset;
If there is hernia, in action scenes just truss it.
Nor do the plot lines hold up well. They shilly-shally.
Why can’t we have, they always say, peace in the valley.
An ethnic quota system seems to haunt the casting.
The 60s in pursuit of Feelgood everlasting.
One China, Scotland, Ex-USSR, Sri Lanka…
How did that Flight Deck function? Had it lingua franca?
And down below decks have we what? Matsu and Quemoy?
(It is the 60s, mind). Not even Leonard Nimoy
In Spock’s neat syllogisms could on Earth keep up with
Tribes and Mandates. Who’s a diplomat to sup with?
Alas, Star Ship, your good intentions did not do it,
And “Beam us up” from wrack must rescue. Look you to it.

�</text>
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                    <text>Worlds and Underworlds
Eden was a garden ; Heaven is a city.
Hell… We are not told, and more the pity.
Dante was entirely on his own.
A frozen lake? The fire is lately gone?
Or is it? Global warming is as much a threat,
Greenpeace informs us, as a new onset
Of glaciation, or the seas’ receding,
Rising. Which, depends upon your reading.
Seven Circles, Seven Seas, Inferno sounded,
Science rhymed, the issue is confounded
By the felt dictate that punishment
Should fit the crime, and since the force, extent
Of crime is boundless, Hell, if it’s a cave, must span
A poet’s caverns measureless to man;
And if a city like its rival, be well gated;
Have its guards at one-way gates twice guarded.
Escape is any bribe or any proposition.
Guards below have no more inhibition
Than our own, or would not be in Hell.
Far better here than bound upon the Wheel
Revolving toward Nirvana. Is it really worth it,
All that incarnation? To rebirth it
Painfully until we free the soul,
Each death, meanwhile, no more than brief parole?

�</text>
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                    <text>Worlds and Underworlds
Eden was a garden; Heaven is a city.
Hell… We are not told, and more the pity.
Dante was entirely on his own.
A frozen lake? The fire is lately gone?
Or is it? Global warming is as much a threat,
Greenpeace informs us, as a new onset
Of glaciation, or the sea’s receding,
Rising. Which, depends upon your reading.
Seven Circles, Seven Seas, Inferno sounded,
Sin prioritized. We are confounded
By the felt dictate that punishment
Should fit the crime, and since the force, extent
Of crime is boundless, Hell, if it’s a cave, must span
A poet’s caverns measureless to man;
And if a city like its rival, be well gated;
Have its guards at one-way gates twice guarded.
Escape is any bribe or any proposition.
Guards below have no more inhibition
Than our own, or would not be in Hell.
Far better here than bound upon the Wheel
Revolving toward Nirvana. Is it really worth it,
All that incarnation? To rebirth it
Painfully until we free the soul,
Each death, meanwhile, no more than brief parole?

�</text>
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                    <text>Wish List
Mohandas Gandhi's glasses, Judy Garland's slippers.
What objet would one bid for that was Jack the Ripper's?
Better not to know. What is it I should like to buy?
Stuyvesant's peg leg, Potemkin's own glass eye.
The Hindenburg's aluminum baby grand Steinway;
Along with gaucho bolos from Down Argentine Way,
Carmen Miranda's plantain headdress, true bananas
Being rather small to make the full effect. Bandanas
Worn by Patty Hearst as "Tanya," Swagger stick
Of General Montgomery, Rasputin's prick.
A scalp from some demented Navajo or Cree nut,
A shell from Carver's first genetic altered peanut.
The Bourbon crown's lost diamond marquise,
Ted's Chappaquidick Cadillac and lost car keys.
The tattooed lampshades? No. A lamp electrified
From one of Florence Nightingale's? Saints' blood dried?
Association value, guilt by association,
Is there a line between? Not with assassination.

�</text>
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                    <text>Windy Day at the Beach
A gris; E gris; I gris…
High wind on loose screen doors bangs out a sound of gavels;
Angular,
The sailboats are a diacritic mark that travels:
A far white circumflex. And if their sea has vowels,
Jocular,
They are a yachting clubman’s, not Rimbaud transferals;
Are gray on gray. Ashore, accents are pampas grasses-Diacritics
Fuzzy-focused, leaning in a wind that passes,
That will make of them upright exclamations;
Make, erratic,
Grave acute. You Babel of the eye, wind-nations,
When the gavel sounds, and, fragile as the canvas,
Tongues are parted,
Accents shifted in an ease the hearing envies,
Where are the Laws of Language? Where the Judge, the Judgment?
Unregarded
Falls the Tower; breeze is breath, and sand encroachment..

�</text>
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                    <text>Where Is Gutzon Borglum
Now That We Need Him?
Boulders forming the silhouette were dislodged
last week by ordinary geologic forces. Embarrassing , as the famous image appears on New
Hampshire’s souvenir coin.
--AP

The Great Stone Face existed as a face
In profile only. Should we in its place
Put up a one-man Rushmore in the round,
So literal that any meaning found
By any post-modern Hawthorne would be lost
In controversies over choice and cost?
The Profile had hawk nose and jutting chin
That one might contemplate New England in.
It was, full front, an overhang of rock
In which a symbolist would put no stock:
A naturally deconstructed text
Too jumbled to be dated or be sexed.
Generic Yankee, hero’s portrait bust,
Whatever goes up on the mountain must,
To make it onto any Seal of State
Be too beyond contention to debate.
A Great Stone Jackie Kennedy, perhaps;
An Old Man of the Mountain under wraps
Until revealed as (You may put in here
Whichever Rock Star you just now revere.)
Could no Onassis, God, cement or mortar
Prop up that image for New Hampshire’s quarter?

�</text>
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                    <text>What the Eyes of Texas Are Upon

Opposite Matamoros ("Slaughter of the Moors")
A fenced-in sandbar where the Rio Grande ends,
Unlovely Brownsville is itself a slaughter site,
If not of Muslims, then of smugglers' clientele,
Heatstroke and thirst each more effective agency
Than vigilantes on patrol. If terrorists
Are in that clientele--and is it thinkable
That Allah, after all those years in Andaluz,
Picked up no Spanish?--if then terror cells also
Are suffocated stateside in abandoned vans,
Homeland Security can claim a victory,
As can, statistics would suggest, narcotic squads.
An afterlife, a better life, the promise ends
This side of Paradise. There may or may not be
Ahead the sixty-seven virgins, living wage,
Room at the inn, the Magi's sure astrology.
As goal, the Lone Star, Juan, is only for the Wise.
.

�</text>
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                    <text>What the Eyes of Texas Are Upon
Opposite Matamoros ("Slaughter of the Moors")
A fenced-in sandbar where the Rio Grande ends,
Unlovely Brownsville is itself a slaughter site,
If not of Muslims, then of smugglers' clientele,
Heatstroke and thirst each more effective agency
Than vigilantes on patrol. If terrorists
Are in that clientele--and is it thinkable
That Allah, after all those years in Andaluz,
Picked up no Spanish?--if terror cells also
Are suffocated stateside in abandoned vans,
Homeland Security can claim a victory,
As can, statistics would suggest, narcotic squads,
An afterlife, a better life, the promise ends
This side of Paradise. There may or may not be
Ahead the sixty-seven virgins, living wage,
Room at the inn, Magi's sure astrology.
As goal, the Lone Star, Juan, is only for the Wise.

�</text>
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                    <text>Waiting for a Durbar
The Voortrekker Monument
If what we call the Cullinan,
The world’s immensest diamond,
Is by the nature of its form,
Its crystal structure, only part
Of some still larger diamond
As yet unfound, have we some cause,
At this late date, to search it out?
Discretion is today the gem
Of dynasties, whose mistresses
Are not what once they were. What is
What once it was, Pretoria,
However grim the deficit,
Would never waive the export ban.
Create therefore a crown to wait?
For all those Indian Army colonels
Beached in Pietermaritzburg,
Of their Dominion Capricorn
Some final Crown Imperial?
The Rajah Kruger heads them off.
Captive across the passes, held
Beneath the granite oculus,
Voortrekker Heights’ echoing dome,
As in a Boere baldachin,
Eight thousand carats catch the sun:
On tripod of the Rand’s own gold,
Unfueled, white, eternal flame-The mandate of the Volk expressed;
Long epic shrunken to a stone.
The empty setting in Natal,
The arches and the cross of pearl,
Make mockery of House and Mace
As patently as of a Crown.
Back to an earth contested long
Let drop the carbon: part and part
One jewel, out of light in dark;
Out, out of envy, in a clay
No fire comes to a second time,
Though every dominion burn.
The great volcanic throat, the mine
Which it encloses, contradict.
Their sky is red; their clay is blue.

�</text>
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                    <text>Visitors to San Simeon
1932

Anne Morrow Lindbergh
Charles will be flying in. I came by train
And car with all the other guests. Remote
As Hopewell, really, and such a strange display
Of privacy and ostentation. Mind
You, I can say compared to what. I met
The elder Morgan. At the age of eight,
Of course, which means my estimates were true.
J.P. and W.R. Initials hide
But label. Buying so much art no one
Can figure out your taste also conceals.
My mother would have come if she had known
That Mrs. Hearst would be in residence
For this as one might say non-Hollywood
Occasion. Pasadena's her excuse
To stay away. She's lecturing Cal Tech
On not admitting women. Need I say
She's staying with the local Huntingtons.
As Charles is. He is lecturing Cal Tech
On breeding scientists selectively.
I see his plane. There is no landing strip,
But he'll land anywhere. Among the zoo
Menagerie no doubt. East Africa
Is on his survey list. Perhaps with luck
I can again be pregnant and not go.
One hates to see the animals upset
By motors and the shadow. As if cave
Men flew and chased down mastodons. As soon
As we go home I have to plan a weekend
Party of our own. We've yet to have
A proper housewarming, although the thought
Of limousines across New Jersey's pinelands
Gives one pause. The roads up here put ours
To shame, but ours do keep the Press away.
I wonder… If you add to Next Day Hill
At its full complement of twenty nine
The house in Cuernavaca, and my staff,
Have we as many servants as the Hearsts?
How to invite Miss Davies? If she thought
That she could glimpse my husband she'd be hid
Among the zebras at this moment. Charles
Could deal with her. He'd simply break and run.

�</text>
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                <text>Cassity, Turner.</text>
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                <text>2006-07-22T17:02:21</text>
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                <text>Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt].</text>
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