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                    <text>Fantasia on Dummy Keys
The sound of a harpsichord reminds me
Of skeletons copulating.
--Sir Thomas Beecham

The practice keyboard teaches only fingering.
Interpretation is beyond it. Lacking sound,
It will forgive wrong notes, not know an exercise
From Bach, if there indeed is some distinction. Mute,
It is the ideal medium for twelve-tone works,
If not the Chopin repertoire. Without response,
How judge of touch? Too firm? Too light? One must assume
Seducers learn and necrophiliacs do not
Else why do spinet’s key and quill go at it so?
Is Czerny a perversion? And if harpsichords
Seem musical cadavers, are the fringe who play
“Authentic instruments” grave robbers? They, in proof
Of scholarship as folly, preach that out-of-tune
Is what is called for. Vocal exercises--scales-Employ an instrument whose authenticity
No one can doubt. A vocalise may have no words,
But is expression in a way dexterity,
Viewed, cannot ever be, although Franz Liszt might say
"My fingering could surely semaphore the deaf,
Who at recitals should be charged full ticket price."
To speak of heartstrings being plucked is retrograde,
As to both time and mechanism. Live hearts hammer.

�</text>
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                    <text>Fashions of 1903
Except that, finally, it flew,
The Wright machine, at this late date,
Looks just as fanciful, as frail,
As sketches out of Verne's notebooks,
Or Leonardo's. One would say
The ancient Chinese airscrew toys,
Patents of down East village cranks,
Ambitious steamer-glider schemes,
Professor Langley's "aerodromes,"
As projects are more plausible.
To pilot this construct or that,
No choice comes readily to mind.
Da Vinci's nude spreadeagled man?
In period, at least. A type
Of Richard Harding Davis, say,
To man the full scale aerodrome?
(Its own mechanic was in fact
At such controls as Langley put).
At throttle on the glider-steamer
Casey Jones, brave engineer?
The coin is tossed and Orville flies-An anticlimax, insofar
As archetyping is concerned.
Nothing of new archangel there,
As surely man's first flight should hint.
Nor is the modest plane itself
A vehicle of Lucifer.
The narrow struts and linen wings
Somehow suggest arts Japanese:
The piecing of the minimal,
As in the later Wilbur, scarf
And helmet, goggles, stiff-necked pride
A bit of Kamikaze shows:
Divine Wind as a coming mode
In flight's long history of styles.

�</text>
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                    <text>The Garden of Yellow Jack
The tiger lily has a tiger’s colors;
Something, maybe, of a feline’s sharpness.
Its small sharp leaves are its bamboo, its Asia.
It lets us see in us a bit of sahib.
It is as if the smell of Easter lilies
Made one Palestinian a little,
Or in the hardening rosin of the pine tree
Already were the rosined bow, the measures.
Heat lightning, summer shower, steaming pavement;
And through the rising heat the rippling amber.
Rain, rain forest each are where you find them.
Asphalt and the sidewalk may be venue
Natural as any. Tiger, Tiger,
Burning bright, striated as if lightning
Striped a night, in changing to a lily
Sallow still, in quarantine’s own color
Febrile on the vision, grace our fevers.

�</text>
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                    <text>Infrastructures
Gods have the wrong attendants. Why should Mars
Not have the Muses? No one ever called
The Iliad a hymn to peace, or said
Art has no wars. Miscast, Eros attends,
Who most of all should have attendants, first
Among them Mammon. Most of scholarship
Not being in the least original,
The owl whose tenure is beside the ear
Of Wisdom any parrot could contest.
And Ceres as a deity of grain
Has ram’s horn as a cornucopia,
A nod to mutton. Javelin, the flash
Upraised in Zeus’s hand is not more apt
In signifying than the triple threat
Of Neptune, or than Hades’ two-prong fork.
A trident gleams in firelight; bidents shine
In water. Each could substitute for each
(As Roman names can substitute for Greek).
And does the Father serve the Holy Ghost,
Or with the Holy Ghost attend the Son?
Jehovah’s service from the earliest
Has held out for the nothing less than all,
Defaulting to the priestesses of Baal.
Mohammed, prophet of, not son of God,
Is outside these assessments. Buddha’s tree
Was in Siddhartha’s servitude as shade.
A lifeless canopy would serve as well.
One god, of course, will never lack for shade.
Has he a name? Yes, many, but is one:
More uniform than any other god .
And all of us, in our variety
So inappropriate as hangers-on,
End facing eastward, supine at his feet.

�</text>
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                    <text>Inventing the Subdivision
Humanity is done no credit if the Ark
Inertly floated and no more.
True, passages in Genesis do not remark
On keel and rudder, sail and oar,
But river dwellers ferry, deserts have their “ships,”
And Noah had the common sense
To onload camels, launch a dove on scouting trips.
And from day forty-one, immense
Profits accrue to who substantiate a claim
To any part of Ararat.
How many creatures to whom Adam gave a name
As mankind by the tiller sat
Eliminated one another in the hull?
A proto-Dodo, hopeless Crane,
Extinct as navigation exercised its pull.
Cheap flood insurance after rain,
The rainbow, though a promise, has as well its red,
Its hint of future tooth and claw.
But close ahead, toward which, by sail and knowledge sped,
The Ark is steering--development there in the raw-Is real estate the pigeon saw.

�</text>
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                    <text>John Walker Lindh
Americans are so enchanted with their engines
As to have lost the courage of their vengeance.
Had they fewer high tech weapons as distractions
They’d have shot me for my gross infractions.
I am so resolutely Sausalito trendy
I’ve gone to where the guru is “Effendi,”
Far from that sunny valley where the space is cyber
To Mecca-Berkeley by the Pass of Khyber,
Apprenticing myself to Shiite and to Sunni
To be a sort of Middle Eastern Moonie,
As with this mind-set in another time and region
The disaffected joined the Foreign Legion.
If ideology should target next the Hancock
I may renounce Islam and go to Bangkok.
Buddhism is so altogether pacifistic
It might take in this supermarket mystic.
Failing that, chain me to some floor ninety-seven
Of any Wall Street building scraping heaven,
And have at me, not with your nerds’ pi-in-the-sky planes,
But ozone non-destructive low tech biplanes,
That I may have Nirvana, if not trial by jury;
Do drugs; have Fay Wray Fonda as a houri.

�</text>
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                    <text>Jurassic Park 1851
Waterhouse Hawkins’ dinosaur models in Crystal Palace Park
Are set among trees on an island in an artificial lake. The
Visitors can view the dinosaurs only from across the water,
The distance lending an air of timelessness to the concrete
Forms. When I revisited Crystal Palace Park after an absence
of thirty years, the dinosaurs still looked as lithe and lifelike as I remembered. In the slanting rays of the evening sun
They really did look like visitors from out of Deep Time.
--Henry Gee, In Search of Deep Time

As usual, the High Victorians convince.
It is a comment on the lack of vision since.
Could we of some few bones and dreamed-up Latin names
Create such archetypes no later knowledge shames?
So bold, so plausible as to suggest we erred
In finding Piltdown Man essentially absurd.
The Exhibition Hall itself, the Palace, rose
A second time, transported pane by pane to pose
This question: was it deconstruction pre-Foucault
Or sign prefabrication is the way to go?
No critic of its roof or glazings said they leak;
And when it burned to ashes Abdication Week
It was as if the Prince Consort had set that fire
Time-traveling from Osborne--perning in a gyre?-To spare the crystal shell what now might be its use:
Casino gambling, Rock concerts, a solar mews.
Prince, did the transatlantic cable mean for whales
What pipelines mean for caribou? Did Old Wives’ Tales
Of Luddites libel glass as industry and trade
Whiting a sepulcher? Denounce as frail charade
The endlessly repeated modules and their panes
Whose weakness tempts to rioting and what it gains?
Ned Lud will always surface to denounce advance;
Houses of glass always succumb to stones and chance.
The fabricated dinosaurs remain to say
Extinction is a construct, Being a decay.

�</text>
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                    <text>The Last Chaperon
I could have held down AIDS, and overpopulation;
Spotted fortune hunters; eased the trepidation
Of suitors rich but shy; promoted to advantage
The less attractive daughter; figured the percentage
By which her dowry should be raised; persuaded parents
Hairdressers and modistes may be their best adherents.
If I were duenna to the world I would inform it
Its urges can be dealt with, even as they storm it.
The checkrein to attraction is the eye averted;
Elopements are avoided by the house alerted,
Or--plucking fangs out of the eager adder-Removing crucial rungs from every lover’s ladder.
Desire is said to be insatiable. It isn’t.
Self-interest can curb it; folly be imprisoned.
Obsession yields to common sense applied with rigor.
Failing that, there is the convent, or the trigger.
The most of theft is, finally, the key not twisted;
The irresistible, that which was not resisted.

�</text>
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              <elementText elementTextId="29640">
                <text>Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University.</text>
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                    <text>The Last Cigarette Girl
In ever lower decollete,
I work the tables with my tray.
If in my “Cigarettes, Cigars,”
There is no mention of their tars,
And though my manner hints at tips,
“Filter “ does not cross my lips,
I’m finding out, as fewer smoke,
It is tradition I invoke,
Tradition being what lives on
When any need for it is gone.
Why is it “hat- check girl" we say
Of one who puts no hats away,
Hats having followed Windsor knots
Toward Limbo after Slow-Fox Trots.
A cry of “Acapulco Gold”
Might sell me out but see me fold,
The ringside tables being Narcs,
D.A.’s, and Vice Squad. Needle Parks
Have moved indoors? Hot pink hot pants
And Lucky Strikes are my one chance
At lasting till what goes around
Finds out I’m still around, a found
Sob story. Better, can I make
The talk show circuit if I fake
My sex? Transgendered trademark, morph
Into the Phillip Morris dwarf?

�</text>
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                <text>2006-07-29T17:55:42</text>
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              <elementText elementTextId="29650">
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                    <text>The Last Elevator Operator,
or,

Mr. Otis Regrets
Level to level, floor to floor,
The elevator, as before,
Transports to buttons or to bows
Its button pushers. But suppose
The panel is not there; that I
Still man the lever, tout wares, pry
Stuck doors apart. My “Face the front”
Says all that automation won’t.
It puts a human face on ups
And downs, the accidental stops,
The Angst of the betwixt, between,
Of gravity’s avenging spleen.
A buzzer can inform the blind;
By lighted numbers deaf are signed.
If sill and car do not quite meet,
The wheel chair’s is a small defeat
Programmers did not contemplate
Or access laws ameliorate.
Of course, I could have saved the trapped,
Or any other handicapped;
In blackouts reassure; disrobe
The suffocating claustrophobe.
In cap of some Saint-Cyr cadet,
Mess jacket smart in gold and jet,
Unwilting crease of fitted pants,
Impassive in my rigid stance
I make a job thought of as dull
The hunting ground of Felix Krull.

�</text>
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