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                    <text>Holy Wisdom
A Failure as a mosque--it does not point
Toward Mecca even sort of… Ataturk
Was right: the building’s most effective use
Would be as a casino. Is its dome
Not like a great roulette wheel upside down?
The decades of the Orient Express
Would have espoused it; have had minarets
In lighting vivid as the Vegas Strip,
As those in Cairo at this moment are.
The round quotations from the Koran, lamps,
Uneven floors (a loose flagstone is luck,
As Proust‘s Marcel found out) combine to shill.
Mosaic Theodora, beaded bag
Swung at the ready, is prepared to bet.
The temple of Justinian indeed
Surpasses: it drives money changers in.
It is itself surpassed, and not alone
In reference to rigor, by the mosques
Of the Magnificent, whose architect,
Siana, was not a man to take a chance.
He was a military engineer,
And no designs of his say Monaco.
If they were used as powder magazines
No enemy bombardment could reduce
Them to a Parthenon, no Elgin seize
Their graven images that are not there.
They are the indestructible outcome
Of strict Islam de-Hellenizing pi:
The circle and the square made algebra.
On red horizons, as our planets rise,
And as on launching pads wait minarets,
True mosques are planets nearer--partial globes,
Among the standing rockets that have brought them close.

�</text>
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                <text>Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University.</text>
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                    <text>Free Trade in Mitteleuropa
As ceremonial as Roman rostral columns,
Trieste’s two high flagpoles front the empty sea,
The city’s abstract fleur-de-lis their latest crest,
A dark, heroic statuary as their base.
It is as if the Iwo Jima photograph
Had in a retroactive time warp straightened up
To be the 20s Fascist model. In the haze
That lifts the shining Adriatic out of time,
Makes it one surface with the spaces facing it,
One era with republics, communes gone before,
As plausible as empty shipping palaces,
Their architecture of Vienna-by-the Sea,
There might arrive that skiff from Island of the Dead,
An unmanned Flying Dutchman of the stormless Gulf,
Or second Raft of the Medusa, skeletons
On board as well as sprawling Second Empire nudes;
As in a bloodied operetta uniform
Franz Ferdinand was ferried north, as once
An Emperor of Mexico was floated home.
Tourism shows decline can be an industry
Like any other. Venice does not live on glass,
Vienna on the OPEC meetings. So Triest
Continues as Trieste, having just escaped
Becoming Trst. Outliving Yugoslavia,
Its lost “side door to Europe” waits the open door.

�</text>
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                    <text>Flying South Again
1987
The 747 fishtails endlessly
Across the Trade Winds; in the smoking section, numb
With sideswipe, after thirteen hours we all agree
Namibia itself will seem a condolence.
“Ontbyt?” the steward says. And as the sun comes up,
The Namib, in the colors of a flattened pearl,
Sorts out its fogs and dunes. The iridescent flats
Give way to golden morning on the Kalahari;
Fawn, the River Vaal appears. Then, neither white
Nor watered--center, not an edge--the all concrete
Witwatersrand. Below the left wing as we bank,
Enormous in its greedy sprawl, Johannesburg
Maps out the diggings of its gold. If on the ground
One still can be deceived, the townships from the air
Are too encompassing. But does Soweto fly?
Jan Smuts is any airport. Customs are not worse
Than elsewhere, nor security. The block of flats
I used to live in is a rainbow co-op, now
Legit? And at the entrance, somewhat heavier,
And with a broader range of huge cut flowers to sell,
The Tamil woman in her sari still is there.
I notice, as she gathers up the last unsold,
A new Mercedes Diesel comes to pick her up.

�</text>
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                    <text>Fishers of Men
Around the Gulf of Mexico--Campeche, Vera Cruz,
South Padre--it is Hemingway hotels that one should choose.
Hotels, that is, where deep sea fishing types predominate,
Who will be out at sea in chartered boats all day, a state
Of grace for who remain on shore, as we shall have the bar,
The pool, the poolside luncheon to ourselves, and the guitar
Quartet will spare us La Paloma, finding us too few
For so much effort. Nothing if not willing to let you
Be Hemingway, the waterfront photographer has scales
Of metric length and weight, so in his photos numerals
Will, being higher, more impress the good old boys back home.
In blazing lack of color, blinding as off polished chrome,
The sun goes down. The Papa clones return; the crew string up
Their catch to photograph. Too tired and too sunburned to sup
Tonight, tomorrow they'll be belting margaritas down
And seeking metric system taxidermists in the town.
.
Above the Gulf the moon is neither chrome nor polished. Pearl,
If you must have it, shadowed from inside. And, skirts atwirl,
Come ladies of the evening to the torchlit terrace tile.
Hooking implies too narrow focus. Wide net is their style.

�</text>
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                    <text>The First Fabulous Four
Above Antigua in a cloudless sky
The mute volcano Agua lifts its peace,
Its look of flooded terraces for rice
Without the fact of either. Passion vines,
Small holdings--squatters’--thick with maize (a land
Reform in place at forty-five degrees).
On red horizons farther, thunder loud
As other thunders, lightning shaft for shaft
And cloud created darkly of itself,
The live volcano Fuego burns in storm.
Distrust peace. Agua is the killer. How?
In centuries of dormancy, a lake
Formed in the crater; rains and hurricane
Collapsed the crater wall. It was a cold
Fast-forward of a lava flow, a bit
Pompeii and a bit Atlantis, end
Of world and falling sky, as if reversal
Showed the elements for what they are.
They are a broad continuum of death,
And each can call another to its aid.
The gravity of Earth arms all the air;
Add fire to water to corrupt a tribe.
When God created Man out of the clay
He gave him allies: arson, whisky, flight…

�</text>
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                    <text>Eiffel without the Tower

Unrealized contracts in Panama;
Low bridges over rivers in Saigon;
Enlightening the world with strong spine hid,
The one-armed skeleton of Liberty;
Advanced enough to awe the Viennese
A railway terminal in Budapest;
Prefabricated chapels floated off
To Baja California, and, low
Tech folly--although not the engineer’s,
His client’s--in Iquitos in Peru
A metal mansion insects cannot eat
But which in tropic sun, predictably,
Defines unlivable. A century ahead,
With air-conditioning in force,
It’s a casino. As an unforeseen
Advantage, management can magnetize
The iron and subtly bias all the wheels.
If Liberty is biased--and she is,
In favor both of huddled masses, and,
Perversely, open spaces--how astute
True metal of her structure is not shown,
As neither iron nor copper, it is gold.
Without it no enlightenment can shine.
If Liberty defies consistency
The Tower stands defying gravity.
Unlike those hidden frameworks in New York
It puts its every stratagem on view.
They may or may not reassure. The lift,
Pre-Otis, is a pleas for confidence.
But, seen or hidden, physics has its laws.
One may interpret as a client asks.
However much it may confuse the tongues,
A tower is what language says it is,
And Liberty is what one makes of it.

�</text>
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                    <text>East of Stockholm
The great oil fields at Baku were developed
by the brother of Alfred Nobel, and along
with explosives, the source of much of
his wealth.
--A History of the Prize

Imams and pipelines, mosques in petrol smells.
If it's a khanate, it's the two Nobels'.
If dynamite sent Alfred into guilt,
Oil lubricated any pang he felt
Investing in his brother's drilling rigs.
The Prizes are increased as each reneges
On options to investors, Swede or Rus.
Islam and Marx, White Russians on the loose,
And still the deep wells pump, if deeper now
Below the Caspian. How rescue, how
Preserve beluga from the taste of crude?
Or from the charge of too much attitude
Such banqueters as scorn a caviar.
Mandela, Carter, you are what you are
By virtue of a trio you deplore:
Exxon, BP, and Shell, the firm offshore
Supports of peace and poets, science, war;
Depositors of a La Brea tar
From Azerbaijan: a pit of bones and names
To mock the founding father's lofty aims,
As Ibsen, Conrad, Tolstoy are not there.
And Nelson, Jimmy, with whom do you share?
The less than populist Sadat (Anwar)?
Menachem Begin, Stern Gang superstar?

�</text>
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                    <text>Christ of the Deep
Key Largo
Green copper underneath a green lagoon,
The inundated Savior turns his face
Up toward a flaring sun, turns out his hands
In supplication to the snorkelers.
God who might say unto the waters, “Part,”
Does not, and so the salt goes in the wounds,
The patina roughens on the thorns. To rise
Immortal, deep to earth to parting sky,
Immortally upon the high Right Hand
In memory of metal there to judge,
Endures for now the stoic on the reef.
The torrent strikes? It strikes, and still I stand.
Our Tempter comes? To barter oxygen
For pirate treasures drifting at our feet?
Get thee behind me, Satan. Breath can wait.
Before the mask a skull and crossbones was;
Was for Golgotha house-flag, flag, and seal.
The beaten copper has its form from hammers?
So the Cross has, and upon it I.
Time, tide erode? They add to what I am.

�</text>
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                    <text>Carlota in the Congo
By marriage a Habsburg, I by birth
Am Belgian: Coburg, sister to the late
King Leopold, of whose Congo Free State
“L’etat c’est moi “ was literally true.
That being so, his secreting me here
Was well within his rights. And I have mine.
Nuns, anonymity, court etiquette.
The old madwoman in the Mons chateau
May be the legend but she is not I.
I have a villa where the River sweeps
Out from the heart of darkness toward a sun
That is in Mexico a god. If hands
Are missing here it is the hearts torn out
Juarez inherits, boasting all the while
Of being Indian. Chapultapec
When I was there at least was more Triest
Than Teotihuacan, as my rooms here
Contain one sacrifice alone: myself.
Napoleon the Little, Pio Nono,
U.S. Grant, more blood is on your hands
Than ever any Coburg let. Omit,
Of course, descendants of Victoria.
A little steam-launch brings the fortnight’s mail;
One day a launch will dock for me. My kin,
Where will you bury me? Among the tribes
Upstream who will devour the evidence,
Or in Vienna, where archduchesses
Are so thick on the ground I’d disappear?
No proper Habsburg ever abdicates.
My husband’s brother, centuries along,
Was titled still “King of Jerusalem.”
You ex-and-future cannibals who crew,
Commit me to the water. Floating far,
An old Ophelia too little mad
To get me to a nunnery, or see
A Feathered Serpent in the green python
That hangs aslant above the mile-wide stream,
I see in him the brazen talisman
Of forty years spent in a wilderness,
Who, if I credenced him, would say to me
“Charlotte, beware the Canaan promised you.”

�</text>
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                    <text>Badmouthing Thomas Mann
Admit: What K2 most resembles is,
The Paramount logo. Well, that’s show biz.
Mount Everest, in spite of its great height,
Is more and more an upscale tourist site.
McKinley, or, to be PC, Denali,
Affords to climbers a domestic folly.
Whitney, in the lower forty-eight,
Exists primarily to calibrate
Death Valley as the opposite extreme,
As does the Matterhorn exist to seem
Plato’s idea of a mountain. Yes,
Olympus rears, but it’s too much a mess:
No profile. Aconcagua, on the line
Dividing Chile from the Argentine,
As an example must be disallowed.
It is eternally obscured in cloud,
Unlike that playing to the gallery
Displayed in death by George Leigh Mallory.
The concept of Achttausender, outside
A metric system, does not so divide
Peaks thought to be worth climbing from the not.
Our Scripture mountains, Sinai, Ararat,
Exceed in myth a documented myth,
That matchless Mallory-without-or with
Un-There, the highest mountain wannabe,
The Fly Boys’ Burma barroom fantasy,
Their World War II non-urban urban legend,
A thirty thousand foot Mount Amne Machen,
An ultimate one-upping, to prevail
Henceforth as mountaineering’s Holy Grail,
And how Hump-flying prairie pilots got their lick
At Magic Mountains which find any flat land hick.

�</text>
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                <text>Cassity, Turner.</text>
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