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                    <text>Amazonas.com
Outside Manaus, not to disappoint the tours,
A number of the locals have obligingly
Gone native, hunter-gatherers in those locales
Not being numerous before the rubber boom
Annihilated all of them. The derelicts
In urban jungles stateside lack so safe a choice.
Feathers and piercings, body paint on them would seem
Survivals of the 60s, and increase dislike
Which they incur, already great. Earrings are threats?
A naked savage is a homeless person, nude?
Curare is a savage’s designer drug,
His head shop all too unequivocally that,
And any medicine of his, Alternative.
Head hunter, herbalist, ex-hippie growing old,
Have you as tourist trap, asylum, dead end street
A jungle placable as this? All of your past
Tamed? Going native in its time was not PC.
It was admitting failure, just as, now, it’s seen
As saving wildlife with a nose flute. Music puts
Also its spin on histories of peonage
In rubber gathering, an expiation based
On the offending firms’ elitist theory
Goodyear will always be what makes the world go round,
And no town with an opera house can be all bad.

�</text>
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                <text>Cassity, Turner.</text>
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                <text>Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University.</text>
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                    <text>A Visit to the Cigar Factory,
And Pin-Ups There Encountered
It has been suggested that Cuban troops returning from Angola
Introduced the AIDS virus into the Western Hemisphere.
--AP

Havana late in 1951.
The ground tobacco and the tan flat leaf
To be the panatela fill the table,
As a reader whom the workers hire,
Between the morning news and Don Quixote
Reads aloud to them from Blood and Sand.
Will Dona Sol seduce her matador?
(Did Rudolph Valentino slick his hair?)
Joan Collins, born to play the villainess,
Is eighteen, they who hire much older. “Menace”
Means for them not even Rita Hayworth.
It is Nita Naldi. In his chair-High chair--at break becoming his own man,
The reader reads from Hemingway. His lips
Form silently ingles. To stick the leaf
And seal it, sweating Papa look-alikes
Are rolling sweepingly across bare chests
Each proto-smoke. Angola, AIDS, sweat, Joan
Now menace down the line. I think of all,
And how the end at Ketcham shadows too.
I bite the end and spit it. But I smoke.

�</text>
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                    <text>A Tale of Three Cities
Gold…the barbarous relic.

--John Maynard Keynes
Johannesburg, Baku, Manaus: boom towns all,
All with a boom town’s mercenary siren call
From gold, petroleum, or rubber in the wild.
Exact contemporaries, where frauds self-exiled,
Crooks, second sons of third rate nobles, trust to luck
Or finding wide loopholes in any bargains struck.
Attracted always to the newest venues, sets
Up shop the old profession. And though Europe frets
It also funds White Slavers. Taking anthracite
To new Newcastles, but the crucial word is ’White’.
The most a “civilizing mission” can provide
May be low tech: mosquito nets, insecticide.
Teatro Amazonas and the Rand Club, ranks
Of derricks in the Caspian, now brighten blanks
On surveys past and stay to say the worst of times
May be the best if it can overlook the crimes.
John Maynard Keynes, Ploesti, and Malaya dawn;
The tight gold standard, tight monopolies are gone.
Now, fossil fuel is our relic barbarous,
And gold a source financing windmill farms for us.
In furthering safe sex synthetic rubber works;
In far rain forests its frail counterpart still lurks.
Cities that have the shortest past have unique roles:
Prove history is bunk, and nature full of holes.

�</text>
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