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                    <text>Update for Francis Joseph
The quiet Danube eases past the quays
As though all meanings and all things which freight
Already had been borne away, a silt
For deltas, wreckage in the Dardanelles.
Restorers raise a time that never was,
Or ruins recent and without pathos,
As if some Japanese film studio
Put up Vienna’s separate but equal
For the reptile monster to destroy;
High octane breath on Buda, panicking
The restaurants of Pest. Or as if each
Had been constructed as the other’s folly,
Bridges in between them all their real.
What Romany the Germans did not gas
Are violinists in the restaurants.
One cannot know if Lehar stole from them
Or they from Lehar. It will be “Play, Gypsy”
When the Bomb has fallen. Centuries
Of occupation by the Ottomans
Have left at least a Turkish Bath, intact
And functioning, a Crescent on its dome.
Or is it sickle without hammer, Marx
As emblem put to rout? Crusades and creeds
Come each apart. The Double Eagle split.

�</text>
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                    <text>Der ewige Mannlicher
Any fool can see a rocket as a phallus;
To see a phallus as a prototype V-2
Is pandering to feminists, for whom, in spite
Of Mrs. Thatcher, Mrs. Gandhi, Squeaky Fromme,
And Rosa Luxemburg, all violence is male.
The City Emerald, the City on the Hill
Projected on another planet, Camelot
As reconfigured asteroid, accessible
By conquest only, wait the count that will propel
To crash their portals some eternal masculine.
Drugs, artificial gravity, and unisex
May moderate the pilgrimage of Everyman,
But colonizing Space is vanquishing Despond
Along with distance, Vanity the instrument.

�</text>
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                    <text>Uncle Wrigley
Racism being very out,
Tar-Baby must be turned about.
Equivalent in years to come,
Some sticky trap of bubble gum:
Expanding, pink. As sunburns show,
The White Man is not really so.
But just as asphalt if it’s slapped
Exacts revenge, a bubble shaped
Offends the face if it is pricked.
Wounds may exist just to be licked.
And in the licking comes the thought
That tar will burn and air will not.
Hephaestus, Remus ,chicle, tar.
That is the way that matters are.
To strike the flint and huff and puff,
Or call a truce and say enough?

�</text>
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                    <text>Triage
The duties of the Fates
Need not have been divided.
No principle dictates
Or trade guild has decided
That to spin, to measure,
Cut, cannot be done
As piece work or at leisure
By one and only one.
Bureaucracy on high,
Do gods distribute guilt
The better to deny?
Olympus is not felt
To be the site of shears,
So able seem the great
At covering their rears.
And sometime in the wait
Between the Old and New
(Two Testaments) to be
Safe, did not You-Know-Who
Become a One-in-Three?

�</text>
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                    <text>To Accompany
a Smithsonian Guidebook
More like a black hole diagrammed
Than like a jewel in its setting,
Bounded by its smaller stones,
The great Hope Blue collects the light,
A carbon cosmos much accursed.
For who possess it, for their time,
The void it is and it conceals
Receives all hurt, all loss, all blame,
To compromise the rationale,
The sage advice, “Curse God and die.”
Perverse, though, that indulgences
Should come in carats, and their cut
Buy off from blasphemy. For such
As have not mineral excuse
The blame is bad luck merely, borne
As best it may be. Physicist
Or exorcist, who most can probe
The emptiness, the blue abyss
Where matter ends? The space, the dark
Death advertises, centers, is.

�</text>
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                    <text>Things Go Better with Industrial Espionage
From the first
The answer has been staring at us
In the nature of the origins:
It started as a syrup.
And the fact
From early on it served in rum drinks
Also might have given us a clue.
The closeness is suspicious.
Mystery
Inside a wall-safe in Atlanta-Not cocaine, safe-crackers; sugar cane:
Molasses is its secret;
Sorghum, say.
A hint of Indies in the flavor;
Rumor of the Andes in the “kick.”
Not medicine; still, patent.

�</text>
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                    <text>The View from the Prompter’s Box
Stage miracles are preferable to none,
And Little Eva on piano wire
Ascending in Heaven would have been,
In septic worlds where children died a lot,
Assurance of a sort. Bright wounds that bleed
And weeping, weeping virgins; body parts
Of useful saints that spring on cue to life,
Before the footlights as behind, betray,
As any objects of credulity
Betray by simple objectivity
Seen close enough in lighting strong enough.
It does not take a Marxist expose
Of murdered pregnant nuns to create doubt,
And if today the stage is more inclined
To credit Uncle Tom with sanctity
Than Eva, all that means is, guilt is in
And golden curls are out. But who can say
That Black is not blackface a bit whitewashed,
False pregnancies not prevalent in nuns.

�</text>
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                    <text>The Song of Bernadotte,
or,
Trashing Scandinavian Modern

Recessive in its reach of guarding waters,
Stockholm prospers in self-serving peace.
If it has guilts, its surging suicides
May not exclusively from them derive.
There are the winters, tax indexing, Strindberg.
Neutral through two wars, though not, perhaps,
So neutral as all that--as corridor
For German troop trains Sweden profited,
Its biases discreetly processed now
Through Nobel prizes (as in dynamite
The nitroglycerin is buffered). Proud,
Not to say arrogant, this city might
Be built to lord it over Finns and Danes.
A bit of plush and grandeur, as to say
Uncluttered “good design” is very well,
But even Viking ships had ornaments
Upon the prow, and Barcelona chairs
Are comfortable compared to Swedish kinds.
Nor is this yet the Kingdom Peaceable.
In tunnels blasted in the granite cliffs
(We thank you once again, Mein Herr Nobel)
Are bases for a fleet of submarines
Still in commission, and the ferries go
How many times a day? Outside the reach
Of liquor laws. A Carrie Nation nation,
Yes, and Lizzie Borden dairy farm.
How many of those suicides do you think are?

�</text>
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                    <text>The P.O. in the Castro
You will not have to stand in queues;
There will not be a madding crowd.
Our homefolk need not wait for news.
We send no letters. We are proud
We cast them off by coming here.
Our cell phone calls are largely local;
Their billing, though, is no small beer,
For we are nothing if not vocal.
It’s well behind, that life of porn
In plain manila envelopes.
And one out here can be reborn
As porn himself. A while, one hopes.
Not everything, of course, works out.
Hustlers in time seem merely tramps;
A small town’s walls still close about:
No exit. But we save on stamps.

�</text>
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                    <text>The Last Villainous Half-Breed
Had I been crossed with the distrusted other
Half, I might have been successful rather:
Chink Apache, Spic Canuck…As queues
On scalps would find a gory pull-chain use
And Mariachi bands aid Alouette-It needs it--either I’d have been the dread
Physician Fu Manchu, or--say they cancel,
Ethnic evils--Brit Mahatma. Hansel,
Gretl, folklore, pulp, as two stock figures
Underneath the cuckoo are the augurs
Telling weather, so Louis Riel
Moves in an out of time as outlawed ill
Luck of the Royal Mounted or the preMandela of a free Quebec. Mainstay
Of penny dreadfuls and the comic strips’
Unfailing fodder, are these archetypes
Stereotypes too idly unopposed
Or, ineradicable, holocaust
Incitements? Race is profile too pronounced.
In that sense what Full Blood was ever lynched
For nothing? Once the Sons of Adam split,
The Mark of Cain is what one makes of it.

�</text>
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