4 10 117 https://cassity.digitalscholarship.emory.edu/files/original/ea2b11e44450552f8e973860b154dabf.pdf e4a78e8786331c3435ba8c191f0b2273 PDF Text Text Edith Cavell England’s recruiting poster Joan of Arc, I was a crypto-Walloon, and a stark Reminder that when all is said and done The letter of the law was with the Hun, Although I rose at once to such renown As was the Lusitania’s, once down, If with as little claim to innocence. All that could be brought forth in my defense Is that I did not profit from my acts, And that confession is what guile exacts. Do not think my examiners were fools, Or did not judge according to their rules. It is the rules I fault, and though in days To come I may be seen as through a blaze Of Union Jacks and poppies, do I fail If, unlike fearless Florence Nightingale Shaking the military in her zeal To bring the male establishment to heel I’m seen as only fragile victim-nurse, Or I-Want-You in posters, which is worse. I’d sooner I urged Flemings to revolt Or pacifists in Government to bolt. Out in the Empire I gave name to streets, But that was pre-Mahatma. Time deletes. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edith Cavell.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-02-22T14:05:05 Date Modified Date on which the resource was changed. 2006-07-29T18:00:08 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context a6ff3e57134601ad06dc0098aa7457dd Devils_and_Islands TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/081fa8aa0cc9b6b9ed690f247c7b5848.pdf 157ec720b426667f0a73b2f1b7c1fd37 PDF Text Text Eiffel without the Tower Unrealized contracts in Panama; Low bridges over rivers in Saigon; Enlightening the world with strong spine hid, The one-armed skeleton of Liberty; Advanced enough to awe the Viennese A railway terminal in Budapest; Prefabricated chapels floated off To Baja California, and, low Tech folly--although not the engineer’s, His client’s--in Iquitos in Peru A metal mansion insects cannot eat But which in tropic sun, predictably, Defines unlivable. A century ahead, With air-conditioning in force, It’s a casino. As an unforeseen Advantage, management can magnetize The iron and subtly bias all the wheels. If Liberty is biased--and she is, In favor both of huddled masses, and, Perversely, open spaces--how astute True metal of her structure is not shown, As neither iron nor copper, it is gold. Without it no enlightenment can shine. If Liberty defies consistency The Tower stands defying gravity. Unlike those hidden frameworks in New York It puts its every stratagem on view. They may or may not reassure. The lift, Pre-Otis, is a pleas for confidence. But, seen or hidden, physics has its laws. One may interpret as a client asks. However much it may confuse the tongues, A tower is what language says it is, And Liberty is what one makes of it. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eiffel; without the Tower.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-04-28T23:59:00 Date Modified Date on which the resource was changed. 2005-04-28T23:23:36 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 9cba4bf36ec6f7d18cd04ccd4732b839 Misc_Some_used\Beyond_the_Grand_tour Particulars_of_Hell\Misc_Some_used\Beyond_the_Grand_tour TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/8667dfeef1db7c1a69bb9d6a8d6d9c97.pdf 619b3fcdbd424b90cbd1cc8b1f56ddd9 PDF Text Text Erich Wolfgang Korngold 1897-1957 The perfect hero, perfect plot, I did not live to score. That would have meant, as like as not, Techniques I used before, But barer. Fewer upward sweeps Among the strings; no harps; Fanfares, but diatonic; leaps Of key from flat to sharps Avoided, save where, as with change Of focus, they explain. You cannot treat the Texas Range And sound stage Spanish Main In one tonality. But who For hero, what the script? A costumed Jud in derring-do Or Zarathustra stripped? I am not Richard Strauss, alas, Enjoying it both ways. I am not sure it's greener grass Or topiary maze Or Herod's cistern I am in, With Bette Davis soap. And underscoring Errol Flynn Needs certain skills to cope Or one's own head is on the plate. Not quite Jokanaan, Contract renewed and up to date, I notate on and on, Who am an exile exiled thrice: From city, era, tongue. Of course, Vienna has its price. I am no bard unsung. Ex-prodigy I, you ex-star, For our time left to be We are in real life what we are. The hero may be me. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erich Wolfgang Korngold.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-02-21T14:36:33 Date Modified Date on which the resource was changed. 2006-07-21T14:17:03 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context c88f17062f70ee1d8e1beec2b23292db Misc_Some_used Particulars_of_Hell\Misc_Some_used TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/844426df68082c8b29474ceb60563d99.pdf 70358334436182311ccdca242d745151 PDF Text Text Escoffier Meditates on the Shroud of Turin As if a giant knife had boned a fish Itself man-sized, the image on the Shroud, Its two filets of stain laid end to end, Awaits authentication. Failing that, Sauce veronique. Inept Veronica, Securer of the partial image, proud Familiar of the veil, how you are mocked By this excess of relic. Every nail, Each station of the iconography In place--an eager, linen manual On how to crucify--it trips itself By leaving nothing out. Who, least of all A guard mount, has a forger’s care? High noon, And up the rusted slope of Golgotha Already climbs the unaccounted dark. Inertly, on their arbitrary space Where all is random, fall and roll and stop The knucklebones., invested with the prints Of those who cast them, in the first hot damp Of storm to follow. There, then, is the sweat That would convince, but who would worship it? Embarrassed by the garment duly won, No forger, replicating for all time The little hour of nakedness and greed, Would fail to give us loaded, perfect dice; No future fail to turn mere fingerprints To stigmata. Among the odd, intent Procession of the Passion, where the saints Jostle to impede the Cross’s way, To have the glory of a Station, there, Indifference and chance will play no part. The lightning breaks between the cross and cross, And if one splinter, can it matter which? Whatever thunder lays the sanctum bare, It is a sound that closes from us Cross, Empire, province. Exile upon the Shroud Tall in your immortality of spice, If I filet the sole, have front and back Your own clear tale of wounds? The grape I peel You say you are; are too the bread. The fish, How many years before the Shroud, revealed, Encoded. It can be the Cross again. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Escoffier Meditates....wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-04-18T13:33:57 Date Modified Date on which the resource was changed. 2005-04-18T13:36:04 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 8fa017103bef504b30ba36f163eb79d5 Misc_Some_used Particulars_of_Hell\Misc_Some_used TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/2c8a8142cfdd1eed3f9fcbf384a9d1c9.pdf 7a0d69cf6fb126f10836d98fa39f953d PDF Text Text Fantasia on Dummy Keys The sound of a harpsichord reminds me Of skeletons copulating. --Sir Thomas Beecham The practice keyboard teaches only fingering. Interpretation is beyond it. Lacking sound, It will forgive wrong notes, not know an exercise From Bach, if there indeed is some distinction. Mute, It is the ideal medium for twelve-tone works, If not the Chopin repertoire. Without response, How judge of touch? Too firm? Too light? One must assume Seducers learn and necrophiliacs do not Else why do spinet’s key and quill go at it so? Is Czerny a perversion? And if harpsichords Seem musical cadavers, are the fringe who play “Authentic instruments” grave robbers? They, in proof Of scholarship as folly, preach that out-of-tune Is what is called for. Vocal exercises--scales-Employ an instrument whose authenticity No one can doubt. A vocalise may have no words, But is expression in a way dexterity, Viewed, cannot ever be, although Franz Liszt might say "My fingering could surely semaphore the deaf, Who at recitals should be charged full ticket price." To speak of heartstrings being plucked is retrograde, As to both time and mechanism. Live hearts hammer. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fantasia on Dummy Keys.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-02-2017:47:21 Date Modified Date on which the resource was changed. 2006-07-30T17:32:00 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 62e59e80bd799469d85546561d375960 Devils_and_Islands TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/b24d2b6b3e77bb604d86ab36031c9170.pdf 06aa9aca8aa1010fbf0fc20f93b02cb4 PDF Text Text Fishers of Men Around the Gulf of Mexico--Campeche, Vera Cruz, South Padre--it is Hemingway hotels that one should choose. Hotels, that is, where deep sea fishing types predominate, Who will be out at sea in chartered boats all day, a state Of grace for who remain on shore, as we shall have the bar, The pool, the poolside luncheon to ourselves, and the guitar Quartet will spare us La Paloma, finding us too few For so much effort. Nothing if not willing to let you Be Hemingway, the waterfront photographer has scales Of metric length and weight, so in his photos numerals Will, being higher, more impress the good old boys back home. In blazing lack of color, blinding as off polished chrome, The sun goes down. The Papa clones return; the crew string up Their catch to photograph. Too tired and too sunburned to sup Tonight, tomorrow they'll be belting margaritas down And seeking metric system taxidermists in the town. . Above the Gulf the moon is neither chrome nor polished. Pearl, If you must have it, shadowed from inside. And, skirts atwirl, Come ladies of the evening to the torchlit terrace tile. Hooking implies too narrow focus. Wide net is their style. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fishers of Men.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-03-14T14:09:08 Date Modified Date on which the resource was changed. 2006-07-30T14:21:27 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 4ced6eb499b3b5dc0787765395c9dba1 Misc_Some_used\Beyond_the_Grand_tour Particulars_of_Hell\Misc_Some_used\Beyond_the_Grand_tour TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/7b52b4537e0a001dffc7ef0a88366ec4.pdf 79a0931c99080fe8746caa8776dd3a83 PDF Text Text Flying South Again 1987 The 747 fishtails endlessly Across the Trade Winds; in the smoking section, numb With sideswipe, after thirteen hours we all agree Namibia itself will seem a condolence. “Ontbyt?” the steward says. And as the sun comes up, The Namib, in the colors of a flattened pearl, Sorts out its fogs and dunes. The iridescent flats Give way to golden morning on the Kalahari; Fawn, the River Vaal appears. Then, neither white Nor watered--center, not an edge--the all concrete Witwatersrand. Below the left wing as we bank, Enormous in its greedy sprawl, Johannesburg Maps out the diggings of its gold. If on the ground One still can be deceived, the townships from the air Are too encompassing. But does Soweto fly? Jan Smuts is any airport. Customs are not worse Than elsewhere, nor security. The block of flats I used to live in is a rainbow co-op, now Legit? And at the entrance, somewhat heavier, And with a broader range of huge cut flowers to sell, The Tamil woman in her sari still is there. I notice, as she gathers up the last unsold, A new Mercedes Diesel comes to pick her up. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flying South Again.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-03-05T14:00:21 Date Modified Date on which the resource was changed. 2006-04-11T15:26:09 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 1ebe9a40facb642f969e3a21fb75ad4c Misc_Some_used\Beyond_the_Grand_tour Particulars_of_Hell\Misc_Some_used\Beyond_the_Grand_tour TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/93368a9a26e994909a20f5234dde19a2.pdf 013983332a2a4b22cd6c51f55d6fafd6 PDF Text Text Forbidden Stitches What Congolese thumb-chopping was to missionaries, Female circumcision is to luminaries Such as Alice Walker, although as now reckoned The blame cannot be placed on Leopold II. But neither can the amputations, being mere Continuance of folk tradition in Zaire. De-digitation was the tribal punishment; And if the Free State rubber shipments were not sent Its agents had reprisal, so to say, at hand. The King was at Cap Ferrat, head not stuck in sand But not concerned with method either. Since before Nabokov’s Humbert none was more obsessed with, more Adept in the pursuit of nymphets than the Coburg, Be they at La Monnaie, or, speaking Vlaams, the Schouwburg. The Audrey Hepburn of her time, Cleo de Merode, Enabled him as pervert to out-Herod Herod. He clearly never would have sanctioned tucks and stitches, Unless, of course, they added to his riches. You have to take the avalanches with the Alp; The basket weaver may appropriate the scalp, The lace purveyor let the tatting nuns go blind, A silk exporter, early, put into a bind The girl-child foot. Le Roi at least did not pretend To knowledge of Ituri carvings, or defend Their worth as anything but so much ivory. The knife that cut them may have cut some “joy” away. Tiens, Alice. If you want the hands of butchers stayed, You’ll have to be prepared to call a blade a blade. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Forbidden Stitches.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-03-06T15:03:09 Date Modified Date on which the resource was changed. 2006-03-29T22:13:11 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 95e83db8931b682434c2f551320ac8c5 Particulars_of_Hell TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/7f8b1b30021bc65fab697247bafcca1f.pdf 91c230858b147659bd9d96fa6b31adaa PDF Text Text Free Trade in Mitteleuropa As ceremonial as Roman rostral columns, Trieste’s two high flagpoles front the empty sea, The city’s abstract fleur-de-lis their latest crest, A dark, heroic statuary as their base. It is as if the Iwo Jima photograph Had in a retroactive time warp straightened up To be the 20s Fascist model. In the haze That lifts the shining Adriatic out of time, Makes it one surface with the spaces facing it, One era with republics, communes gone before, As plausible as empty shipping palaces, Their architecture of Vienna-by-the Sea, There might arrive that skiff from Island of the Dead, An unmanned Flying Dutchman of the stormless Gulf, Or second Raft of the Medusa, skeletons On board as well as sprawling Second Empire nudes; As in a bloodied operetta uniform Franz Ferdinand was ferried north, as once An Emperor of Mexico was floated home. Tourism shows decline can be an industry Like any other. Venice does not live on glass, Vienna on the OPEC meetings. So Triest Continues as Trieste, having just escaped Becoming Trst. Outliving Yugoslavia, Its lost “side door to Europe” waits the open door. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Free Trade in Mitteleuropa.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-02-17T18:26:21 Date Modified Date on which the resource was changed. 2006-07-30T14:27:49 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context b1e11b141e469eb72158717a8e100e82 Misc_Some_used\Beyond_the_Grand_tour Particulars_of_Hell\Misc_Some_used\Beyond_the_Grand_tour TCBKS2 https://cassity.digitalscholarship.emory.edu/files/original/92313db82ab77a34b71644ab68601858.pdf af5481cd69165d44804208934f3a23a6 PDF Text Text Great Non-Egyptian Mummies I Depression sideshow looking every bit as old As Tutankhamun, one of some three dozen souls Who on their deathbed bragged of being John Wilkes Booth Is on exhibit. There is evidence of fire, But carnivals themselves burn not infrequently. X-rays above the coffin show a broken leg, Though nothing certifies those photographs are his. If Dr. Mudd was guilty and let Booth escape, What was the actor’s life existing on the lam? A barker? Possibly this barker, summing up, For who are willing to believe, a vivid life Not quite his corpse’s: every man’s conspiracy. II Attended in suburban Buenos Aires by-No tyro--Isobel Peron, the glazed remains Of Eva wait a restoration. Not of them, Which from the first have been state of the art. Of Juan, Who travels with the body as one might with spares, Or trip insurance. Isobel, the former dance And nightclub hostess, not yet grieving president, Pulls out the rusted hairpins and replaces them; Dusts off the jewel copies; vaselines the lips. Pizarro in his crystal case in Lima fares No better. It’s a Valley of the Fallen shrunk To one: an Elba, truce, St. Helena to be. III He’s offered now at half the price, an honest pitch, As only half of him is there. The endless queues Outside the granite of the ziggurat have gone; The Guard no longer changes at the hour. The State In fact is withering away, although to what No one is betting. Barnum, thou shouldst be alive At this hour. Lease Evita, purchase Lenin, find One more among the many Booths, and watch the world Beat down your doors. Add in John Dillinger in part And see Madame Tussaud herself turn in the grave. How often has your fool, the every minute born, An all time chance to see his wise ones mortified?. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Great Non-Egyptian Mummies.wps Creator An entity primarily responsible for making the resource Cassity, Turner. Date Created Date of creation of the resource. 2005-03-10T18:30:54 Date Modified Date on which the resource was changed. 2005-05-02T13:32:46 Source A related resource from which the described resource is derived Compaq Presario SR1222NX (Born digital materials), Turner Cassity papers, Manuscript, Archives, and Rare Book Library, Emory University. Relation A related resource Is part of the Turner Cassity papers, 1948-2009 [http://pid.emory.edu/ark:/25593/8z3tt]. Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource document Identifier An unambiguous reference to the resource within a given context 3d0d1fb4aef531066bc6e63d6117f4d3 Misc_Some_used Particulars_of_Hell\Misc_Some_used TCBKS2